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Everything posted by Cupe
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https://soundcloud.com/cupe/c-pe-detat-journey-7 Tracklist: Waking Life - Alive Waldeck - Dope Noir Ludovico Einaudi - The Planets Little People - Unsaid Plaid - Craft Nine Boards of Canada - Turquoise Hexagon Sun Shlohmo - Blankets Amon Tobin - Bloodstone Cujo - Sighting Homelife - The Lantern Amon Tobin - Chocolate Lovely DJ Krust - Re-arrange (Cinematic Orchestra Remix) Fog - I call this Song Old Tyme Dude Bonobo - Shadowtricks Up, Bustle and Out - An Unmarked Grave Plaid - 35 Summers
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the first one was pretty fucking dope. probs my fav of all 3
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Just do what you can where you can
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We need to try and give more feedback and shit for peoples tracks and mixes. We all want it when we post so give some back and when you're chilling on your comp, check The Music section and play something, then post about it! Even make it a thing to try and comment on something once a day or even once a week. Big love.
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Listening to v2 right now and liking it way better so far. Heaps dirtiurrrrrrrrr
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Was listening to the v3 set but thinking it wasn't dirty enough for how I like my trap, then the track at 23:40ish dropped in and I was ok about it. Will hit up the other mixes soon
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Just gave this a burl, liked it heaps. Need to do a longer mix but!
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Been trying to find other mixes to give me the same vibe for the rest of the morning. Fuck it, playing this again
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The Problem with Aus Politicians when it comes to nightlife
Cupe replied to Cupe's topic in DJ Headquarters
There has to be some other reason behind lockouts, because they blatantly cause more issues than solve them. What is the government up to........ Maybe it's a way to make us think we need more security etc that allows a higher budget in defense/police etc so more control is 'required to fix an ongoing problem'. -
tbh I had it playing while working and didn't notice anything that stuck out and made me worry about it #punterlife
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There's a difference between a DJ and a Performance Artist. I think people forget that a lot. It's just expected that these big name (and ridiculously paid) DJs put on a decent show all-round. After all, you've paid for one.
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Fuck this was perfect to kick off the working week with. Upbeat, not too hard, some dope feelgood tunes. =D>
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1. Where did the name come from? I needed a name to enter an online mix comp while in high school. I was listening to Spitfire by The Prodigy and thought, "that sounds mad, I'll go with that". 2. How long have you been playing & how did it all begin; What factors came together for you to take an interest in DJ'ing/Producing? I always had a thing for dance music growing up so I thought it would be a pretty natural decision to make. I studied jazz though high school and dabbled in production at around 12 years old (wasn't very serious, or good). The tune that inspired me to get into dance music was Paul Oakenfold's remix of Resurrection by PPK. I started Dj'ing at 15 and proper production followed soon after. 3. What do you spin? How would you describe your sound and what sort of style/DJ's influence you? My sound is generally big room electro and bouncy stuff (now it's Melbourne Bounce but back in the days it was Fidget). I was influenced by hard dance because of the energy those tunes had. I try to put the same amount of energy into my sets, inspired by those hard dance tunes. I wasn't really influenced by any DJ's. I wanted to establish my own show and entertain the crowds in my own way. 4. What are your weapons of choice? I'll DJ with anything that's in the club. Production, my weapons of choice are the Korg Legacy Collection plugins and es2 that's a factory plugin with Logic. Massive gets a go every now and then 5. If you could change 1 thing along your way up to where you are now, what would it be and why? Maybe my alias? haha. It's been a pretty bumpy ride, and it still is, but in a way i'm glad it's been a challenge because I've been able to grow and make each set bigger and more energetic. I play each set like it would be my last so I make the most of my time and go all out. 6. If you could put yourself as the resident DJ in any scene, where would you choose and why? I don't know actually. I think playing at Crate in LA would be pretty amazing. Big club and big energy. I thrive of that shit! 7. What other Australian DJ's/Producers do you rate? SCNDL are doing big things right now. Joel Fletcher, Will Sparks and Uberjack'd are also making big waves too. The Melbourne Bounce scene in general is really growing and theres some really good stuff out there. 8. What was the first album you ever bought? Ah… I wouldn't have a clue! I know the first vinyl I purchased was Blutonium Boy joins Luna - Blackout / Fear. I didn't even have turntables then! It was just a boss tune so I bought it.
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Giving this a crank today while getting some web work done
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The Problem with Aus Politicians when it comes to nightlife
Cupe replied to Cupe's topic in DJ Headquarters
I don't get how they think pushing all the drunk people into the street helps? It helps the venues, in that there's no-one mucking up in their place (but there always is) but fuck me. Why are they so blind to the damage it does? -
1. They can put anyone in those suits 2. Why would they need to play live a song that is a simple looped tune 3. They must be so fucking sick of that song by now 4. That booth is blatant overkill for such a basic song. 5. Most of the other people on stage were already playing instruments
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The Problem with Aus Politicians when it comes to nightlife
Cupe replied to Cupe's topic in DJ Headquarters
oh lol. well. -
The Problem with Aus Politicians when it comes to nightlife
Cupe replied to Cupe's topic in DJ Headquarters
It says London City, so maybe the limits of the area include everything around it. Anyway, QLD went through all this shit and it didn't help, why do they think lockouts and shit will work elsewhere? -
For everyone who thought that Daft Punk wouldn’t actually take the stage at this year’s GRAMMYs has now been proven wrong. At the 2014 GRAMMYs, Nile Rodgers, Pharrell and Stevie Wonder took the stage for the performance of “Get Lucky.” Soon after the black screen in the recording room dropped and Daft Punk stood there in all of their essence. Watch the incredible performance below:
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One hit ‘coward punches’ aren’t the only problem plaguing Sydney and its nightlife. The ‘professional politician’ is the other. A ‘professional politician’ is a person who has dedicated majority of their adult life to their party with no real life experience in a ‘normal’ day-to-day job. Our current NSW Premier Barry O’Farrell may have an Australian history degree under his belt, in the same year he finished that (1980), he immediately joined the Liberal Party, dedicating his whole adult life up until now to politics. Take this; London Mayor Boris Johnson was hit with a difficult decision earlier this year. Tackling an increasing housing crisis across London’s city – containing 60 million people – and a huge opportunity for development next to British clubbing institution Ministry of Sound, the question of whether MoS could stay open was put in his hands. Prior to Johnson taking up politics in 2005, he spent 18 years as a journalist, getting sacked from The Times, working as a local columnist at the Wolverhampton Express & Star and eventually becoming the Editor of The Spectator where he stayed until his party appointment. With Johnson being pressed by both MoS and the company pitching for the proposed development over this significant dilemma that would affect thousands, he went to assess the situation for himself. Yep, he jumped in a car and literally headed on down to the club to see the importance of such an institution and why it should stay open. The result? The Mayor, the developers and MoS came to a ‘mature’ and reasonable agreement to live in harmony and protect the future of the club. So here is the question – how can a politician expect to stay in touch with its people if they haven’t had a taste of what it’s like ‘on the ground’? Making ill-informed decisions is only the start. Let’s take into consideration the fact that both ‘coward hits’ occurred before 10pm. Or what about the new and unsightly ‘high-roller exclusive’ Bangaroo Casino being exempt from these Nana State reforms. These are some prime examples of how corrupt the political system is. Barry O’Farrell has indirectly said to us that it’s okay for dodgy, cashed-up gambling addicts to bring their dirty money into our economy, yet it’s not alright for the majority of law abiding NSW citizens to leave a club after 1:30am unless they’re going home. Where Barry lost sight of reality: Here are some real life solutions from people who have been ‘on the ground’ in Sydney’s nightlife: We agree! More public transport on Friday and Saturday nights Have permanent signs outlining the penalties for breaking laws going into zones with clubs. This could be as strict as; Fines for anti-social behaviour Fines for assault Fines for drug possession More water fountains to hydrate intoxicated users More friendly police – not discouraging fun but keeping an eye on the trouble-makers If you get banned from licensed venues, you must then go to an alcohol intoxication education course (that you have to pay for) to prove to the government you can drink in venues safely again Compulsory ID scans at all venues. One-strike policy that restricts users from entering any club for 3 months if they show any anti-social behaviour A federal inquiry into Barry O’Farrell and his relations to the alcohol lobby groups Tackling steroid trafficking. Stronger penalty on the drug that increases testosterone levels and encouraging anti social behaviour. Thoughts? Source: stoneyroads.com
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If I can see waveforms, and have practised a set, I often don't need to DJ with headphones.
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stupid fuck
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im more into producing ambient lately. and my decks are packed up cause i don't have room so no chance of a scratch any time soon
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Thoughts/feedback/comments plos