Cupe

I'll just get the vid later

I see an ADJF sticker

I'd be more happy to ambient remix someones shit at this stage

What do you normally mix? I can work with anything as long as I have an audio file

Good luck with destroying them

Already shared on ADJF Soundcloud (even though you didn't include ADJF or ausdjforums as tags)

fark fourtet is dope

Over 700 plays now. Pretty unexpected.

Wolfgang Palm has released WaveGenerator for 32- and 64-bit Mac OS X and Windows as a VST instrument plug-in. AU is planned to follow shortly. Other formats are being considered. PPG WaveGenerator is the latest development from the inventor of wavetable synthesis, Wolfgang Palm. It is a next generation synthesizer, building on the heritage of the PPG Wave keyboards. The PPG WaveGenerator comes with a multitude of wavetables. The sound material contains the typical sounds from the original PPG wave models, as well as many new sounds generated by versatile analysis tools and also hand edited waves. This plugin enables the user, to create his own wavetables in a playful way, and to hear the result immediately. Also you can construct the waves by adding harmonics very precise. Another way is to transform a picture into a wavetable. You can load bitmaps via drag & and directly hear the result as wavetable sweep. The waves are collected in a grid of 256 fields, to which the 3 oscillators of the synthesizer have arbitrary and independent access. The Parameters of the synthesizer are divided into modules, which allows easy, yet powerful editing. It contains 3 oscillators with independent control of pitch and waveform. Each oscillator has its own glide, which gives a very dynamic sound. With a sophisticated routing system, the diverse modulation sources can be connected to all important control points. The complexity of WaveGenerator is comparable with a modular system. The schematic keyboard is configurable totally freely, so you can setup all well-known musical scales, but also all imaginable custom scales that best fit into your music. PPG WaveGenerator benefits from the knowledge collected from the iPad product. So you have features like X/Y control after the key on event. A comfortable browser lets you sort the sound programs; you can categorize and rate them. Also complete custom sound banks may be created. All significant parameters are controllable via MIDI. There is a built in context specific help for all pages and modules. Key Features: * Creation of your own waves and wavetables. * Playful sound creation simply by drawing or picking harmonics. * 256 waves assembled within a wave grid. * 3 Audio Oscillators. * 3 Noise generators, for audio and modulations. * Classic 24 dB Lowpass Filter, combined with an overdrive simulation. * Dual amplifier, for versatile control of 2 audio signals as well as panning. * 13 Envelopes, for control of pitch, waveform, filter, noise, gain, and panning. * 4 LFOs. * Powerful Step Sequencer with playback arpeggiator. * Delay/Reverb effect. * Audio engine with 2 synthesis modes, and variable wave blending quality. * Directly accessible context help for each module. * Transform pictures into a sound . * Free configurable schematic keypad, with extremely expressive modulation possibilities. * PPG WaveGenerator comes with more than 300 sounds of all categories. * Transfer patches from the iPad app to the desktop app. Price: €99.

Anyone here been a winamp user? I've used it for about a decade, and still use it.

"Winamp.com and associated web services will no longer be available past December 20, 2013. Additionally, Winamp Media players will no longer be available for download. Please download the latest version before that date. See release notes for latest improvements to this last release." "Thanks for supporting the Winamp community for over 15 years." So goes the terse message posted to Winamp's website, signaling one of the final nails in the coffin of Web 1.0. Winamp, released in April, 1997, was the first MP3 player to gain wide acceptance, fueled by the exponential adoption of the internet and the convenience of the relatively new format for music. The software was eventually acquired by AOL in 1999 for $80 million and would draw the likes of Ian Rogers as an executive, now at the helm of Beats' forthcoming Daisy service, among other notables. Back in the days when a song could take an hour to arrive over the web -- and when the web was still sometimes called the Information Superhighway with a straight face -- but before Apple's growth into one of the most valuable companies in the world, Winamp was the program of choice for millions to store and play their digital music files. The software counted 60 million users at its peak in 2001 -- right as the first iPod was released by Steve Jobs and Apple. Two years later, a million of Apple's players had been sold and iTunes was on an unstoppable upwards trajectory following the launch of the iTunes Store. Apple's iTunes now has 575 million user accounts as of June 2013, adding 500,000 new users daily. Even though it missed its chance to preempt virtually every digital music service, Winamp was still bringing in money as recently as last year. Revenue estimated to be around $6 million in 2012, according to a report from Ars Technica at the time which deftly gets to the bottom of the company's slow death. "The shutdown of Winamp says a lot about the tech world’s vicious utilitarianism and its readiness to mock or eliminate applications and services that have fallen out of wide use," wrote Slate's Justin Peters (before going on to lament a contemporary of Winamp; Geocities' megacluster of proto-Tumblrs). Winamp, as much as Netscape Navigator and Windows 95, was and remains representative of a relatively brief era, when the web was a tumult of information, more possibility than practicality for its visitors. Peters isn't the only one saddened by the news. "I will never stop using Winamp. Nobody can stop me," wrote one TechCrunch commenter. (The site's story on the shutdown appeared to be generating roughly one embittered, teary-eyed comment per second.) "Winamp came about the same time many people were finally getting the hang of file-sharing music, and the player helped revolutionize the way we consume media," wrote Ryan W. Neal for the International Business Times, who put together a timeline of the software. "It's the end of Music 1.0," as venture capitalist Josh Felser, who recently tried to buy Winamp from AOL, told Ars Technica. Read more at http://www.billboard.com/biz/articles/n ... K5iV5iG.99

Virtual instruments and DAW makers Cakewalk have just released a brand new tool for iPad performers that looks promising. ScratchPad is a loop-based app, allowing users to drop in loops of their choice to the interface and quickly play, tweak, scratch, filter, and stutter the loop during playback. It’s not complicated – and that’s what makes it interesting. Instead of trying to do too many things, the application sticks to a basic 3×3 grid layout for playing loops and effecting them. Within the the loop players are simple controls – drag a finger down to stop the clip or column, move to the top of the circle to apply one of the four stutter effects and drag left and right on a loop to scratch it. The application also features a XY filter pad for any low or high passes necessary – see all the features in action in their basic launch video: iOS performers will be happy to know that the software also includes support for audio routing via AudioBus, meaning that you can send and receive audio into and out of the app into other compatible applications. Source: djtechtools.com

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Linked on ADJF Facebook/Twitter.

Linked on ADJF Facebook/Twitter.

Linked on ADJF Facebook/Twitter.

Linked on ADJF Facebook/Twitter.

Dropped links on Facebook/Twitter

Added soundcloud tags.

did it made 500 on the first day Pretty hectic

Come on cunce. 5 more plays to hit 500. http://soundcloud.com/cupe/dirk-maassen-white-remix

Less than 60 plays to go before I hit 500 in the first 24 hours

I'd just hit up all the R&B charts