Cupe

Finally a digital amplifier exists whose audio quality and reliability is perfectly comparable to the most reputable analogue power amps in the pro audio world. Its advantages, that go beyond low weight, exceptional efficiency and reduced thermal stress, make this option fit in a wide range of installations and events. Features - First high performance all the power all the time amplifier. - 3320 W per channel on 2 Ohm (Model DT6800) in only 9,8 kg. - Resonant structure stabilized switch-mode power supply with PFC (Power Factor Correction). - Trilevel Technology class BD digital amplification. - High End audio performance. - Low distortion, comparable to an analogue amplifier. - Temperature controlled progressive Back to Front cooling system takes air from the rear and throws it out at the front panel. Thermal management system. - Effective protection systems that do not affect audio quality with status indicators. - VCA-controlled autogain protection system (Analogue Autogain Signal Processor) and intelligent variable threshold anticlip protection that adapts to the incoming type of transient peak. - Built-in subsonic filter. - Robust, road tested. It has been certified to pass norm EN 60068-2-6:1995, level 5M3 as described on IEC 60721-3-5:1997(*) - Tropicalized printed board to minimize the adverse effects of humidity and salty environments. - Sealable gain controls. - Nominal gain can be adjusted at the back panel with micro-switches (1V, 32 dB, 26 dB, 24 dB). - Electronically balanced XLR-3 input connectors. - XLR-3 stack output connectors for interconnection with additional power amps. - Complies with EMC (Electromagnetic Compatibility) regulations.

Ecler XPA Power amplifier series offers the renowned professional reliability of all Ecler amplifiers at an affordable price. The line consists of three models with power outputs of 300, 500 and 700 W per channel at 4. All models employ MOSFET amplification technology, are 2 rack units high and are based on a robust chassis with aluminium front panel. Thanks to their oversized power supply, these amplifiers can operate comfortably with 4 and even 2 loads. They feature balanced input connections via XLR3 and 1/4 Jacks. The outputs offer total versatility thanks to secure connection posts with standardized separation and Speakon sockets. An electronic limiting system for avoiding signal overloads and a switchable subsonic filter are also on board. * 498 Watts RMS at 4 ohms * Built-in, always active anticlip circuit * Switchable subsonic filter, 30 Hz 18dB/oct slope * Operation with 8, 4 and 2 or 4 in bridged mode

VX-Series, the latest generation of American Audio amplifiers are a professional performance amplifier series with a high protection grade developed and designed for small installations, DJ and Bands. The multifunctional display allows a full overview on functions and settings - It`s easy to navigate and self explanatory. Special attention was given to every aspect of the VX amplifiers for the highest reliability. With outstanding sound performance, built-in sound dynamic processing circuitry, and a superior clip limiter gives users a wide variety of possibilities. With a solid case design with 3mm steel, and back ears to be mounted in a rack, the VX Series enables the day-by-day use on the road as well as fixed installations in racks. Top features: - Backlit function and feature display - 2 Ohms stable - Mono, Stereo and Bridge mode - Fully protected - Superior sound - Build in clip limiter - Dynamic sound processing circuit - Soft start - Build for highest reliability - Bright LCD Display: Shows Temperature, Working Mode & Protection Mode - CPS - Comprehensive Protection System: Auto Shut Down Protects Amp From Overheating - Dynamic Sound Circuitry - Improves Dynamic Range & Quality of Sound Specifications: - Rated Power (1KHz, THD+N=0.1%) 8Ohms: 2x800W 4Ohms: 2x1200W 2Ohms: 2x1600W 8Ohms bridged: 2500W 4Ohms bridged: 3200W - Low Cut: 30/50Hz selectable - Filter: 100Hz - Protection: DC, Short circuit, temperature, Current inrush, input overload, output overload, soft startup - Frequency response (1W 8ohm stereo): 20Hz-20KHz (+/-0.3dB） - Sensitivity (8ohm stereo&1KHz): 0.775V, 1.0V, 1.44V - Mode: Stereo / Parallel / Bridge - Fan speed regulation: two-speed - Connection input: male & female XLR (Neutrik) - Connection output: Binding post & Speakon(Neutrik) - Filter capability: 10000uf/80vx8 - Input Impedance balanced: 20K - Input Impedance unbalanced: 10K - Crosstalk (20Hz~20KHz, Rated Power 8ohm): ≥60dB - S/N ratio (Rated Power 8ohm): ≥95dB - Damping factor (1KHz&8ohm): ≥500 - Intermodulation distortion: ≤0.5% - Total harmonic distortion (20Hz~20KHz Rated Power 8ohm): ≤0.5% - Phase response (1W&8ohm 20Hz~20KHz): 30 - Slew rate: ≥25V/us - Output Circuitry: H

ps. this costs about $11,000+ AUD

The LSR6328P is the choice for stereo and multi-channel music and post audio applications where accuracy and high SPL are required. With ruler-flat +1 dB/-1.5 dB response from 50 Hz to 20 kHz, low frequency extension to 36 Hz, boundary compensation and JBL`s new RMC system, the LSR6328P gives you exceptional low frequency performance in any room. The system is bi-amped with a 250 Watt LF amplifier and a 120 Watt HF amplifier. Wall mounting provisions make the LSR6328P perfect for installation in multi-channel editorial rooms. The LSR6312SP powered subwoofer is based on a 12 woofer with JBL`s patented Neodymium Differential Drive and 250 Watts of power. An integral bass-management system provides all the features you need for today`s multi-format surround production including: LCR and Direct LFE inputs, summed output for chaining multiple subwoofers, -4 dB alignment setting, and JBL`s new RMC Room Mode Correction system. RMC Calibration Kit included. LSR6328P Features: # Advanced Linear Spatial Reference design ensures flatter-off-axis response for greater clarity at the mix position # RMC Room Mode Correction provides electronic control of room modes. User measurement and calibration kit available. # Differential Drive technology with dynamic braking for extended low frequency response and minimal power compression. # Integrated bi-amplification with factory calibrated sensitivities. # Titanium composite high frequency transducer with Elliptical Oblate Spheroidal waveguide for precise pattern control. # Magnetically shielded high frequency transducer minimizes interference when used in close proximity to video monitors. # High-density baffle for low enclosure resonance. # Linear Dynamics Aperture port design eliminates port turbulence and reduces port compression. # Reinforced enclosure and convenient mounting points for mounted installation. # Integral handles facilitate ease of positioning. LSR6312SP Features: # Multi-format powered subwoofer for Dolby Prologic, AC-3, DTS and other surround formats. # RMC Room Mode Correction provides electronic control of response peaks due to room modes. RMC Calibration Kit included. # 250 Watt continuous output power amplifier. # Sophisticated LCR bass management system. # Direct LFE input with selectable 10 dB input sensitivity. # Summed output allows chaining of multiple LSR6312SP for multiple subwoofer systems. # Neodymium Differential Drive NDD technology with dynamic braking for extended low frequency response and low power compression. # High-density baffle for low resonance and stable inertial ground. # Linear Dynamics Aperture port design eliminates port turbulence and reduces port compression. # Reinforced enclosure and convenient mounting points for mounted installation. Specifications: # Frequency Response : (+1, -1.5 dB) 50 Hz - 20 kHz # Low Frequency Extension : -10 dB : 36 Hz # Amplifier Power (LF/HF) : 250w/120w # SPL (Continuous/Peak) : SPL: 108 dB / 111 dB # Drivers (LF, MF, HF) : 8 / 1 # Sensitivity : 96 dB / 1 m # Crossover Frequencies : 1.7 kHz # Finish : dark graphite # Dimensions (WxHxD) : 406 x 330 x 325 mm 16 x 13 x 12.75 in # Weight : 17.7 kg (39 lb) # THX PM3 Certified: Yes

Drivers: Woofer: 6 Glass Aramid Composite Woofer Tweeter: 1 Neodymium Soft Dome Tweeter with Ferro Fluid Input: XLR (3-pin), RCA & 1/4 TRS - 10k Ohm Balanced / Unbalanced Amplification: 100 Watt Dynamic Power Bi-amp 24 dB Octave Filters Frequency Response: 49Hz - 20kHz Video Shielding: Yes Dimensions:(H x W x D) 12 11/16 x 8 7/8 x 10 1/2 32.1cm x 22.5cm x 26.6cm Shipping Weight: 23 lbs (11 Kg)

Packed with phenomenal strength and incredible depth of field, the 10, 175 watt high-efficiency Class-D amplified M10s subwoofer is the perfect compliment to the M-series monitors. The state-of-the art pass through capability enables direct connection to the monitors, giving you the ultimate combination of full range monitoring. Featured packed with a built-in crossover for low-end clarity and definition, slotted ports for reduced distortion, volume control, a frequency range of 35Hz 150Hz, 10 ohm balanced TRS and XLR inputs, this unit handles todays bass-enhanced music effortlessly. The magnetically shielded MDF cabinet with radiused edges also features a 10 red woven glass aramid composite woofer for exceptional clarity and accuracy. - 175 watt high efficiency Class-D amplifier - 10 red woven glass aramid composite woofer - XLR/TRS connectors for superior connectivity options - Built in crossover - Pass through capability for direct connection to monitors - Slotted ports for reduced distortion - Attractive design with radiused edges and Red woofer - Magnetically shielded - Volume Control - Power indicator - Dimensions 15 x 12.6 x 15.7 - Weight 17kg

Optimized for excellent reproduction of heavy bass frequencies. RPM8 reference production studio monitors are specifically designed for use with MPC music production workstations and production controllers. RPM8 studio monitors are two-way, active, bi-amplified, nearfield loudspeakers made for producers, recording engineers, remix artists, DJs and other musicians. The two-way monitors each feature an eight-inch woven-kevlar low-frequency driver with 80W RMS of continuous amplification for robust, full bass all the way down to 39 Hz. The monitors high-frequency system consists of a one-inch silk-dome tweeter with 40W RMS of continuous amplification, mounted on a custom, functionally optimized waveguide for excellent control of directivity and reduction of unwanted early reflections. RPM8 studio monitors contain active, fourth-order crossovers for outstanding separation and optimal power management. Their cabinet is constructed of industry-standard MDF for low resonance, and is dually ported on the front baffle for bass extension in any setting, including soffit-mounted installations. The bi-amplification, ported cabinet design and overall acoustical efficiency combine to produce a speaker that can deliver up to powerful 113 dB SPL and with accurate frequency response from 39 Hz to 20 kHz. RPM8 monitors feature a bicolor LED clip indicator, which assists in avoiding damage to your system. You can connect professional studio systems to the RPM8s combination XLR-balanced -inch TRS inputs for compatibility with a wide variety of source equipment.

The Most Popular Cartridge In The Ortofon Range Giving Excellent All-Round Performance Under A Variety Of Conditions. - Output voltage at 1000 Hz, 5cm/sec. 6 mV - Channel balance at 1 kHz, 2 dB, Channel separation at 1 kHz, 23 dB - Channel separation at 15 kHz, 15 dB, Frequency range at - 3dB, 20-20.000 Hz - Frequency response, 20-18.000 Hz + 3 / - 2 dB - FIM distortion at recommended tracking force, DIN 45.542, [ 1% - Tracking ability at 315Hz at recommended tracking force, 80 m - Compliance, dynamic, lateral 9 m/mN - Stylus type Spherical - Stylus tip radius R 18 m - Equivalent stylus tip mass 0,6 mg - Tracking force range 2,0-4,0 g (20-40 mN) - Tracking force, recommended 3,0 g (30 mN) - Tracking angle 20 - Internal impedance, DC resistance 750 Ohm - Internal inductance 450 mH - Recommended load resistance 47 kOhm - Recommended load capacitance 200-600 pF - Cartridge colour, body/stylus Blue/Blue - Cartridge weight 18,5 g - Replacement stylus unit DJ S

The Night Club Mk II received one of its greatest endorsements in 2007 by being awarded `Best Cartridge` at the DJ Magazine Tech Awards. One year later, and it reclaimed its coveted title with aplomb, solidifying itself at the zenith of the cartridge market. The new Nightclub offers superb high-end sound, broad frequency response, and a high output, thanks to its advanced elliptical stylus. Ally this with its fantastic good-looks, and the Nightclub Mk II becomes the weapon of choice in any discotheque or club.

1/2 Standard Mount Phono Cartridge Kit (requires Headshell). Ortofon OM Q.Bert features: - Replacement Cartridge & Stylus for A Standard Headshell (1/2 Inch Standard Mount E.g. Technics) - Output voltage at 1000 Hz, 5cm/sec. 11 mV - Channel balance at 1 kHz 1,5 dB - Channel separation at 1 kHz 22 dB - Channel separation at 15 kHz - - Frequency range at - 3dB 20-20.000 Hz - Frequency response 20-18.000 Hz - 3 dB - FIM distortion at recommended tracking force, DIN 45.542 [ 1 % - Tracking ability at 315Hz at recommended tracking force 90 m - Compliance, dynamic, lateral 12m/mN - Stylus type Spherical - Stylus tip radius R 18 m - Equivalent stylus tip mass 0,6 mg - Tracking force range 3,0 g (30 mN) - Tracking force, recommended 4,0 g (40 mN) - Tracking angle 20 - Internal impedance, DC resistance 1680 Ohm - Internal inductance 920 mH - Recommended load resistance 47 kOhm - Recommended load capacitance 200-400 pF - Cartridge colour, body/stylus Black / White - Cartridge weight 18,5 g - Replacement stylus unit Q.Bert

- White concorde headshell - Spherical stylus - 3 - 5g optimum tracking weight - recommended tracking force 4g - Tracking angle 20 degrees - 8mv output voltage - 20 - 22,000Hz frequency response

- Output voltage at 1000 Hz, 5cm/sec. 5 mV - Channel balance at 1 kHz 2 dB - Channel separation at 1 kHz 20 dB - Channel separation at 15 kHz 15 dB - Frequency range at - 3dB 20-20.000 Hz - Frequency response 20-18.000 Hz + 3 / - 2 dB - FIM distortion at recommended tracking force DIN 45.542 [ 1% - Tracking ability at 315Hz at recommended tracking force 70 m - Compliance, dynamic, lateral 7 m/mN - Stylus type Spherical - Stylus tip radius R 26 m - Equivalent stylus tip mass 0,5 mg - Tracking force range 3,0-5,0 g (30-50 mN) - Tracking force, recommended 4,0 g (40 mN) - Tracking angle 20 - Internal impedance, DC resistance 750 Ohm - Internal inductance 450 mH - Recommended load resistance 47 kOhm - Recommended load capacitance 200-600 pF - Cartridge color, body/stylus Black/Black - Cartridge weight 18.5 g

The iDJ is a 2-channel mixer that enables mobile DJs and iPod enthusiasts to seamlessly integrate their portable music libraries with other music and sound reinforcement systemstransforming the iPod from a personal music player into a source playback device. With its compact form factor, comprehensive feature set, and a blue on white aesthetic appeal that blends perfectly with the iPod, the iDJ makes the music more accessible and the party better than ever. Features: - Two universal iPod docking stations will accept all model iPods with bottom connector and charge while connected - Large iPod navigation controls - 3-band EQ with gain control on both channels - Dedicated microphone input with tone and level control - Phono/line inputs for adding additional devices on both channels - USB connectivity (PC and Mac) enables iDJ to function as a music-loading base - Turntable spindle receptacle enables placement of the iDJ on a turntable - Zero tolerance precision switches/knobs for a tight, precise feel * iPods not included

The MPC500 is the first truly portable all-in-one Music Production Center, affording artists the ability to sample and create music on-the-go. Whether you travel around the globe or across town, the MPC500 is the ultimate answer to your mobile production needs. The MPC500 is fully compatible with the legendary MPC line, which means you can use the MPC500`s built-in battery and drop your mixes back into your MPC2500 when you get back into the studio. The MPC500 combines a 48-Track MIDI Sequencer and a 32-voice Stereo Digital Sampler, with 12 velocity and pressure sensitive rubber pads. 16MB of on-board memory comes standard and can be expanded up to 128 MB of RAM. When connected to a Mac or PC via its built-in USB port, you can simply drag and drop data between the computer and the MPC500`s CF card. Because the MPC500 is compatible with other MPC products, mobile producers and musicians will find it is the perfect way to extend their studios and accommodate their mobile lifestyles. * Battery powered (6 AA`s) or AC powered (with included power adaptor) * Pattern-based 48-track sequencer with 16 MIDI channels * 32-voice drum/phrase sampler with up to 128MB RAM * Velocity and pressure sensitive pads for responsive, accurate programming * 12 Level function places one sound on all pads with progressive level or tuning per pad * Built-in Compact Flash drive and USB port (Mass Storage Class) * Support for standard WAV files and MIDI sequences * Built-in Analog I/O, headphone output, and MIDI In/Out * Internal sounds included to get started quickly * 4-way sample layering and velocity switching per pad * 1 low pass filter with resonance per voice * On-board effects: 2 stereo effects and a Master effect Storage: * Compact Flash: Type-II, support up to 2GB card Memory: * 16MB installed (Can be expanded to 128MB with EXM-128) Analog Input/Output: * (2) Balanced 1/4 Inputs * (2) Balanced 1/4 Outputs * (1) Headphone Output MIDI Input/Output: * (1) MIDI Input [5-pin DIN] * (1) MIDI Output [5-pin DIN] Other Input/Output: * (1) USB [slave only] Levels: * Analog Input = +10dBu * Analog Output = +5dBu Sampler Resolution: 16bit/44.1kHz Sampler Recording Time: * 136sec [16MB/MONO] * 24min 28sec [128MB/MONO] Sequencer Details: * 100,000 notes resolving at 96ppq * 99 Sequences with total 48 tracks per seq * 20 Songs with total 250 steps per song * 24 Active (loaded) Programs max Pad Details: * 12 (velocity and pressure sensitive) * 4 Pad Banks [A, B, C, D] Synchronization: * MIDI Clock only Power Options: * 12V DC 500mA pin-negative power adapter (included) * (6) AA batteries [lasts about 4.5hrs continuous use w/backlight ON] Dimensions (W x H x D): * 10.47 x 1.73 x 6.89 * 266mm x 175mm x 44mm Weight (net): * 2.93 lbs / 1.34 kg Data Compatibility: * MPC1000 SEQ, WAV, PGM * MPC2000/2000XL SEQ (saved as MID file only), WAV, SND, PGM (Most parameters of PGM file can be loaded.) * MPC2500 SEQ, WAV, PGM * MPC4000 SEQ (saved as MID file only), WAV, AKP (DRUM program only...No Keygroups. Only note assign and tune are loaded.) * MPC3000 SND (THRU Computer) * Z4/Z8 WAV, PGM (DRUM program only. Only note assign and tune are loaded.) * S5000/6000 WAV only (THRU Computer) * S1000/3000 No compatibility

The Korg mini-KP: KAOSS PAD that fits in your pocket, offering touch-pad effects for all types of music. The Korg mini-KP provides the same interface known from other KAOSS pads, in which multiple parameters of the effect program are controlled by a single fingertip, the mini-KP brings the advantages of battery operation and mobility, making it an ideal choice for DJ club performances, home studio applications, as well as outdoor live events or for use with a portable audio player. Wherever you are, the mini-KP brings new possibilities to any music scene. Korg mini-KP main features include: Intuitive touch-pad interface gives you fingertip effect control in real-time. The smallest body in the KAOSS PAD series. Battery operation and a carrying strap make it an ideal choice for any scene. One hundred effects including filter, delay, and looper meet the needs of any musical style. Numerous BPM effects are provided. You can use the TAP/BPM button to synchronize the mini-KP to your songs tempo, and apply a wide range of effects to your music. FX RELEASE function provides a natural decay when changing effects or removing your finger from the pad. Hold function lets you memorize the position at which you touched the touch-pad when you release your finger. Use the two memory keys A and B to store your favorite effect program settings, including the effect depth and the Hold on/off status. Numbers of effects: 100 Connectors: LINE IN (RCA phono jacks), LINE OUT (RCA phono jacks), HEADPHONES jack (stereo mini jack) Sampling Frequency: 48kHz AD/DA: 24-bit linear Power Supply: four alkaline AA (LR6) batteries (6 V) Battery Life: approx. five hours (with alkaline batteries) Dimensions: 106 (W) x 129 (D) x 29 (H) mm / 4.17 (W) x 5.08 (D) x 1.14 (H) Weight: 154 g / 5.43 oz. (without batteries) Included Item: four AA batteries for checking operation mini-KP Options (separately sold): AC adapter

The MPD32 is Akai Professional`s ultimate velocity-sensitive pad controller for musicians and DJs. Modeled after the industry-standard MPC series, the MPD32 delivers the most expressive software beat control available. Sixteen velocity and pressure-sensitive genuine MPC pads provide the industry`s finest feel and expression. Four selectable pad banks for a total of 64 playable pads, eight assignable faders, eight assignable switches and eight assignable, 360 knobs for transmitting MIDI Control Change data, all combine for unprecedented creative freedom. Three selectable control banks extend the number of available faders, buttons and knobs to 24 each. Two assignable footswitch inputs and an expression pedal input takes the total assignable controller count to 75 the most by far in any pad controller. The MPD32 also features transport controls for interfacing with DAW/sequencing applications. The MPD32 is a fully programmable controller and multi-functional control surface that fits perfectly within any production or performance environment. * MIDI synced note-repeat with MPC swing * 16 full-sized, genuine MPC pads with velocity and pressure-sensitive response * Assignable switches, sliders and endless knobs for a total of 72 controllers * 2 assignable Foot Switch inputs * 1 assignable Foot Pedal controller input * Large, easy-to-read custom LCD display * 30 user-definable Presets for various DAW and software applications * MMC/MIDI Start/Stop transport buttons

Inspiration can happen anywhere. The XR20 is loaded with pro-grade, industrial-strength drum, percussion, bass, synth, sound effects, vocal and instrument hit sounds and has the ability to lay them in a groove wherever and whenever you`re ready. Over 700 pre-loaded sounds, and an integrated effects engine for Reverb, EQ and Compression put you in full control of your beat production. A microphone input is even included for mixing vocals with your patterns. Brilliant backlit pads provide visual cues for added beat precision. The XR20 features sounds of standard and electronic drums, single (one-shot) hits, bass and synth sounds to easily create your maximum mix in minimal time. * Backlit LCD * Bright, glowing, backlit pads that follow the beat * Microphone input and Headphone output * Pattern Play Mode - Different patterns can be triggered from individual pads * Drum Roll / Note Repeat feature for realism and expression * Battery Power capability and AC Adapter

The KP3 comes equipped with 128 newly developed effect programs designed to appeal to musicians, producers and DJs alike. Sure, the traditional effects are there delays, flangers and more. But using up-to-the-minute algorithms, the KP3 also provides exciting new effects, such as a grain shifter, decimator, a vintage analog style filter with a tone-bending drive circuit and expanded EQs that are controlled directly from the pad. And moving beyond effects, there are also drum grooves and even RADIAS-inspired vocoder and synthesizer sounds that can be played free-form on the X/Y pad. As you move your finger across the touchpad and find that sweet spot, pressing the Hold button will freeze the settings, so you can take your hand away to do other things. The LED grid on the touchpad will show the held location, so you can pick up where you left off without any jumps. Better yet, Pad Motion can memorize and repeat a fluid or complex gesture played on the pad. A separate FX Depth knob sets the overall balance between the original signal and the effect, so you can add just the right amount of processing. The eight Program Memory buttons allow you to store all of this information Program Number, Hold button On/Off status (and coordinates), Pad Motion, and the FX depth setting to a single button for instant access during performance. Another new innovation in the KP3 is called FX Release. Basically, FX Release adds an adjustable delay tail (at the current tempo) when you remove your finger from the pad, providing an additional creative tool for the performer. This also prevents the abrupt dropping out of the effect as you transition from one setting to another. The FX Release amount can be set and saved individually with each program.

The MPC series set the standard for beat production. What would it take to make the ultimate MPC? Dozens of engineers, 20 years of experience and a new synth and drum sampling engine unlike any MPC ever. Introducing the MPC5000; the new standard for music production. The MPC5000 is the first MPC ever to include 8-track streaming hard disk recording, a 20-voice, 3-oscillator analog synthesizer with arpeggiator, a new sequencing engine with 960 ppq resolution, pad and track muting and mixing, 64 continuous sample tracks. There`s even a new FX engine with 4 FX buses and 2FX per bus. In addition, the MPC5000 features a 64-voice drum/phrase sampler with 64MB memory - expandable up to 192MB. The display is twice the size of the MPC2500 and MPC1000 so waveforms appear crystal-clear. Integrated Chop Shop 2.0 now supports stereo chops and Patched Phrases. The MPC5000 is also the first MPC to include Random and Cycle sample playback in addition to velocity Zone Play. A turntable preamp is also included. The MPC5000`s virtual analog synth eliminates need for external analog synth modules or buggy software based synthesizers. The new 8-track direct to disk recorder lets you produce your whole song in the MPC and then mix it down with the internal sequenced programs and any input thru material. Add the optional CD/DVD drive and you can then burn an audio or data CD or your mix. Over 650MB of premium-quality sounds from Loopmasters are included to get you up and running with pro-quality production in seconds. * 64-voice drum/phrase sampler with 64MB memory built-in. Expandable up to 192MB RAM * Three-oscillator virtual analog synth engine with built-in arpeggiator * Over 300 Virtual Analog synth presets included * Eight tracks of Direct-to-Hard Disk recording * Over 40 all new effects available within a modular 4-bus effects processor * Master compressor and equalizer * 960 ppq resolution * Built-in hard disk drive * Optional CD-R/DVD drive * USB 2.0 port for computer connectivity * CF Type-2 card slot (up to 2GB) * Chop-Shop 2.0 - slices a stereo loop into individual samples with automatic pad assignment * Patched Phrases - creates multiple splits in looped samples to ensure proper tempo sync without changing pitch * Continuous Sample Track - ensures samples play in perfect sync no matter where you start the beat in a loop * 12 Q-link controllers for internal automation, external MIDI control and quick parameter editing * 240 x 128 hinged backlit LCD * 10 built-in analog outputs, plus 8 ADAT-optical outputs and stereo S/PDIF IO * Powerful new multimode filter * Two MIDI inputs and Four MIDI outputs * Turntable phono inputs with RIAA pre-amp * XLR / 1/4 combo jacks with selectable mic/line levels * Sample library provided by Loopmasters.com General * Display: 240 x 128 dot graphic LCD w/back light * Memory Card Slot: Compact Flash (The size of the compact flash card that MPC5000 can handle is from 32MB to 2GB) * Dimensions (W x D x H): 18 x 16 1/16 x 3 3/8 (6 7/8 with screen at maximum height) * 406.4mm x 407.98mm x 85.7mm (174.6mm with screen at maximum height) * Weight: 18.2 lbs * Power Supply: Internal, auto switching, 110-240V, 50-60Hz * Power Requirement: 50W Sound Generator * Sampling rate: 44.1kHz * Memory capacity: 64MB standard, expandable to 192MB * Recording time: 12m 48sec. (64MB, MONO), 38m24sec. (192MB, MONO) * Memory expansion slot: 1 x for optional EXM-E3 * Data format: 16-bit linear * Polyphony: 64 * Dynamic filtering: 1 State Variable Filter per voice (up to 8 pole, depending on type) * Filter types: LOW PASS, BAND PASS, HIGH PASS, BAND BOOST, BAND STOP, ANALOG MODELING, VOCAL FORMANT * Preset sound memory: 16 MB * Number of programs: 128 Effects * Effects: 4 stereo busses with 2 stereo effects per buss, and Master effect * Master effect: 4 band EQ, Compressor Sequencer * Maximum events: 100,000 notes * Resolution: 960 parts per 1/4-note * Sequences: 99 * Tracks per sequence: 64 * MIDI output channels: 64 (16 channels x 4 outputs) * Song mode: 20 songs, 250 steps per song * Drum pad: 16 (velocity and pressure sensitive) * Drum pad banks: 4 * Sync mode: MIDI clock, MIDI Time Code * Transport Controls: MIDI Machine Control Inputs/Outputs * Record input (L and R): MIC/ 1/4-inch Combo x 2 balanced -40dBu, input impedance 11k ohms; RCA with PHONO preamp, * Max. Input level: +10dBu * Digital RCA-pin x 1 S/PDIF * Stereo output (L and R): 1/4-inch phone x 2 balanced +11dBu, output impedance 1k Ohms, * Max. output level: +22dBu * 8 individual outputs: 1/4-inch phone x 8 balanced +11dBu, output impedance 1k Ohms, * Max. output level: +22dBu * Phones output: 1/4-inch stereo phone x 1, 200mW / 100 ohms * Digital output: RCA-pin x 1 S/PDIF * ADAT Optical: x 1 (8 Channels) * MIDI inputs: 5-pin DIN x 2 * MIDI outputs: 5-pin DIN x 4 * USB: Slave connector x 1, USB MASS STORAGE CLASS support * (Windows 2000/Me/XP or later version, or Mac OS 9.x/10.x or later version. ) * Footswitches: 1/4-inch x 2 * Standard accessories: Power cable, Operator`s manual Options * EXM-E3: 128MB expansion memory card (Upgrades unit to 192MB total) * CDM-25: CDR/DVD Drive Data Compatibility * MPC1000: SEQ, WAV, PGM * MPC2000/2000XL: SEQ, WAV, SND, PGM (Most parameters of PGM file can be loaded.) * MPC4000: SEQ, WAV, PGM (DRUM program only. Only note assign and tune are loaded.) * MPC3000: SND (THRU Computer) * Z4/Z8: SEQ, WAV, PGM (DRUM program only. Only note assign and tune are loaded.) * S5000/6000: WAV only (THRU Computer) * S1000/3000: No compatibility

In creating the ST.150/STR8.150, Stanton went back to basics and re-engineered everything. These no nonsense turntables have everything professional DJs need, and nothing they don`t. That`s why the ST.150 (standard S shaped tone arm) and STR8.150 (skip-proof straight tone arm) are built first, and foremost with quality in mind. Both models offer durable construction designed to minimize feedback, industry-leading torque motor - up to 4.5 Kgf-cm, and an ultra-stable platter and tone arm. And with features like Key Correction, Reverse, up to 50% pitch adjustment, and S/PDIF digital outputs - the ST.150 and STR8.50 are strong contenders for the title of Turntable Supreme. Other Features: - Start/Brake Speed Adjustment - Digital Output [s/PDIF] Plug straight into CD-R or computer sound card - Key Correction - Selectable Phono or Line Output (Key correction works on line output only) - Dual Start/Stop Buttons - Height Adjustable Tone Arm - Reverse Play - 3 speeds [33,45,78] - Quartz Lock - Selectable pitch control [+/-8%,+/-25%,+/-50%] - Motor Off Feature - Removable Target Light - Adjustable Feet - Includes slipmat and L shaped cables - Includes Stanton 680HP cartridge mounted on headshell

Technics SL series turntables have become legendary with over 3 million sets being produced and used by DJs and clubs the world over. All SL models feature the undisputedly accurate, reliable and durable Quartz Direct Drive Motor, with Aluminium Diecast cabinets and heavy rubber base for vibration damping. This year Technics launch the SL1200GLD, a limited edition version of the recently released SL1210MK5G. SL1200GLD boasts gold plated metalwork and a unique limited edition serial number plaque making this a truly collectable item. The SL1210MK5G specifications add to the SL1210MK2 standard build and renowned construction with a Digital Pitch controller offering the choice of 0-8% or 0-16% control. The control slider is fully removable and backlit in blue for easy visibility in club conditions. The Stylus Pressure Adjuster adds increased hold under virtuoso scratch conditions. High Grade Oxygen Free Cabling in the toearm and ouput mean highest possible quality of audio signal and best possible durability. Additionally, 0.6g of Anti Skate, Adjustable Brake Speed, a Long Life Blue LED Stylus Light and a polished black finish adds the finishing touches to this most desirable deck.

Welcome to the WORLD OF THE PROFESSIONAL HYBRID DIGITAL MIXER. To control your analog AD/DA conversion and digital signal processing, at the lowest latency rate and highest performance level. The PMC-08 Pro, an ULTRA ELITE 2 channel digital mixer in a class of it`s own, UNTOUCHABLE from the rest. The benefits of a Digital Engine DJing in real time digital performance, while keeping the importance of simplicity, yet a technological analog interface is what the professional DJ has been in search of. With the highest demands from our Professional users of various technique, and needs of incorporating the finest parameters for their performances and styles, adjustable to their preference have made us reinvent the mixer allowing input sources to turn into digital data. With this new technology, we introduce you Vestax`s Professional Hybrid DigitalMixer. Vestax has turned the once quoted to be impossible, to become reality by bringing the 08 to life. Features that were only a dream with analog circuitry have been answered with a 24bit 96kHz DSP (digital signal processor). Not only digital, but we`ve answered the market demands with the most valuable piece, THE FADER and introducing a new FADER technology. A mixer that not only has Effects send and return, but able for 2 per channel for DJs in the mix or into scratch performances. A mixer dedicated to sound quality is our goal, and we have delivered. The first ever mixer with DSP EQ and Isolator features, to allow the DJ the richest in sound quality from the smoothest slope kills, to the deepest and quality of sound. Simply the industry needs a change, and here`s the answer.

The DJM-909 offers DJs innovative features; precise cross fader/fade curve control, user-customizable cross fader glide adjustment, and touch screen control of the built-in effects (DJM-909). Pioneer continually strives to meet the wide-ranging needs of the frontier DJ and these mixers do just that by combining innovative technology with proven Pioneer quality. The DJM-909 boasts the highest quality in sound and design that exceed today`s battle / performance mixers offering powerful club sound in a battle mixer. This was accomplished with sensitive yet solid gripping EQ knobs, durable transform switches, and precise and accurate cross fader curve control. Most importantly, Pioneer has developed an original non-contact cross fader technology with unprecedented durability and reliability. The most important feature on any battle mixer is its cross fader and fader performance. Pioneer`s DJM-909 introduce the most precise and customizable cross fader in the industry to date. The cross fader is highly durable and has double fade control allowing each half of the cross fader the ability to be adjusted independently! All fader curves can also be seen and adjusted with visual reference on the mixers` fader curve adjust screen (DJM-909). If that isn`t enough, the cross fader feel can also be adjusted to your preference (a breakthrough functionality). Each channel fader curve can be adjusted from a smooth volume change to a dynamic volume ON/OFF at the TIP of the channel faders (bottom or top). In turntablist slang, you will be able to crab-scratch the channel faders from either the top end or bottom end of the fader. Both mixers can connect with Pioneer`s CDJ series to employ the fader start capability. The user can automatically start or stop playback by the sliding cross-fader or channel-fader. Both the DJM-707 and DJM-909 are similar in layout although the DJM-909 boasts built-in effects and a touch sensitive display. Both mixers also offer a very clean, open fader area for scratching and beat juggling. Both mixers have a session line-in with volume control, cueable master output, mic input, and selectable phono / line switches. In addition, the DJM-909 has a tempo tap button, cueable effects switch, and a plug in for foot switch to control effects. Additional Features of the DJM-909: - TOUCH SCREEN AND BUILT IN EFFECTS A total of fifty different effects incorporated in the DJM-909 can be independently assigned, utilized, & tweaked through the mixers?? user friendly touch screen control. Additional knobs also exist for further parameter adjustments. Revolutionary effect presets range from Fader Synths to Transform and from Touch Phaser to Vocoder. A send/return is also built-in to connect an external effector. - FADER EFFECT Fader effect can be assigned to a channel fader or cross fader from the touch screen so that the faders are capable of controlling and varying the effect??s parameter simply by moving the cross fader or channel fader. - BEAT EFFECT The Beat Effect is capable of synchronizing effects with the BPM for high accuracy effect timing. - AUTO BPM COUNTER The mixer is equipped with an auto BPM counter so users can quickly view the song tempo.