Cupe

Apple has just unveiled their new iPad tablet computer with a 9.7 IPS LED backlit display, 1GHz Apple A4 chip, and has 16GB to 64GB of flash storage. It has 802.11n, Bluetooth 2.1 + EDR. 30-pin connector, speaker, microphone, accelerometer and compass. It also claims to have 10 hours of battery life, including video. However, in what could be the product’s biggest MISS, there is no built-in camera. Repeat: NO CAMERA. Apps can be “supercharged” on the iPad, but it will also be able to utilize every app created for the iPhone and iPod Touch. Several new apps from the New York Times, Electronic Arts and Major League Baseball have been showcased at the Apple Event. Some of Apple’s proprietary software has been ported to the iPad with a tablet-specific user interface. First out of the gate will be Apple’s iWorks. No other Apple software will be available like: LOGIC Audio.

For the third year in a row, Armin Van Buuren was crowned the number 1 spot on DJ Mag’s Top 100 DJs list. After an incredible year filled with sold out gigs worldwide, his 72 hour live ASOT 400 celebration featuring massive guest DJs, and his ‘A State of Trance’ radio show that consistently brings in millions of listeners every week, Van Buuren most definitely earned his #1 spot. His reaction to taking home the gold? “I’m thrilled and deeply honored, it feels like winning a gold medal at the Olympics,” he says. Tiesto remains in the second spot while David Guetta knocked Paul Van Dyk to number 5 by setting up shop with the big boys in the top 3. 1. Armin Van Buuren 2. Tiësto 3. David Guetta 4. Above & Beyond 5. Paul Van Dyk 6. Deadmau5 7. Ferry Corsten 8. Markus Schulz 9. Gareth Emery 10. Sander Van Doorn FULL LIST: http://djmag.com/top100

Berlin, November 3rd, 2009 – Native Instruments today announced TRAKTOR KONTROL X1, a highly functional performance controller that gives DJs immediate hands-on control over vital aspects of their performance. Designed by the team behind the groundbreaking TRAKTOR DJ platform, the compact KONTROL X1 offers an unprecedented level of integration with the latest TRAKTOR generation for maximum performance and ease-of-use, and can also efficiently control any MIDI-compatible DJ software on the market. TRAKTOR KONTROL X1 provides DJs of all styles and genres with a highly efficient and intuitive way to control loop, cue, effect, track selection and transport functions of their system. The unit accommodates the two most common digital DJing paradigms – it ideally complements a typical timecode-controlled TRAKTOR SCRATCH setup consisting of a hardware mixer, turntables or CD decks, and also excels as a selfcontained controller for DJs who play beat-gridded tracks with the TRAKTOR software and mix externally. Two X1 units can also easily be combined into a four-deck setup that controls all decks and effect units of TRAKTOR PRO or TRAKTOR SCRATCH PRO simultaneously. The functionality and layout of TRAKTOR KONTROL X1 was carefully engineered and fine-tuned based on extensive artist feedback and usability testing in order to combine a versatile feature set with maximum ease of use. The unit is equipped with precise and durable high-quality buttons, knobs and encoders, complemented by dynamic colored backlighting for additional visual feedback. The X1 integrates with the TRAKTOR software through a dedicated high-resolution protocol, resulting in a level of precision and responsiveness beyond what regular MIDI-based controllers can provide, and allowing for true plug-and-play operation with no setup or specific configuration required. TRAKTOR KONTROL X1 has been specifically designed for heavy-duty usage in performance environments. Its compact casing is both robust and lightweight for high portability, and the special vertical form factor makes the unit fit seamlessly within a typical club setup. The optional high-quality carrying bag for the X1 doubles as a versatile stand that conveniently raises the controller surface to match the height of typical DJ mixers. Beyond TRAKTOR, the KONTROL X1 can be used to efficiently control any MIDI-compatible DVS, DJ software or music performance application. The optional MIDI mode of the controller can be engaged on the fly via a dedicated button on the unit. The X1 also comes with a carefully designed set of parameter assignments for the Serato Scratch Live™ system, matching the relevant features of the software to the controller in an ideal way without any individual setup effort. A special Serato Scratch Live™ overlay for the X1 is also available. TRAKTOR KONTROL X1 also ships with TRAKTOR LE, a basic version of the TRAKTOR PRO software that provides two decks with essential looping, effects and mixing features, turning X1 into a complete entry level solution for digital DJing. Owners of TRAKTOR LE can upgrade to the full-featured TRAKTOR PRO software for a special discounted price at any time. Additional information on TRAKTOR KONTROL X1 is available at www.native-instruments.com/traktorkontrolx1.info

Touch DJ ™ by Amidio Inc is the real deal. The first mp3 iPhone application that gives you complete control over your mix in realtime. You can scratch, loop, position, equalize, add effects, and mess with the pitch. The design itself is really easy on the eyes, it’s simple to use, which is mind blowing considering the possibilities this application offers you.

Mixmaster Mike, like many turntablists was inspired by “Grandmixer DST”, the DJ behind Herbie Hancock’s 80’s hit “Rokit”. He was fascinated by the sound of the scratch and how the turntables were being used as an instrument to create a melodic tune. “I was so hypnotised by the art that I just wanted to take things into my own hands.” That’s exactly what he did and the rest was history. He entered his first DJ battle at the New Music Seminar’s “Battle for World Supremacy” in 92 when he went up against DJ Honda in the famous head to head battle. This win didn’t stop Mike as the same year he formed the Rock Steady DJ’s and went on to win the DMC World Finals. “Initially it was me and apollo that hooked up as a team and started the tag teaming on the turntable and then we hooked up with Q bert and brought Q into the team to take on the DMC”. In 1992 DMC was at a stage where they felt that every possible trick had been done with 2 turntables and they had to introduce new rules to keep the competition entertaining. So they got rid of the strict 2 turntables and 1 mixer set up and announced that multiple turntables and any extra musical equipment could be used. They also allowed a maximum of 3 DJ’s to enter back to back in the battle as an option. This opened up the competition for the DJ’s to be more experimental with their routines. Seizing the opportunity, Mike, Apollo and Q Bert practiced as a DJ team not knowing how much of an impact this routine would make in turntable music history. “I don't know, we were just so out of our mind and thinking of the next shit. And we just had aspirations of playing like a band on the turntables instead of guitars and drums and stuff. We wanted to actually play all those instruments on the turntables together. A lot of it came like really sporadic like parts of the routine came up like in one time period and another part came in another period and we just kinda like collided each routine together and smashed it into like a one piece of just non-stop mayhem.” This Mayhem routine and concept won them the World Title for 2 years consecutively. The rules later changed when it became apparent that you could not judge a team against solos. So in 1996 Alex Aquino who was managing Q Bert at the time formed a new DJ Battle ‘the ITF DJ Championships’, which separated the battle and the artform to different categories. However Mike’s favorite category was always going to be the one he first won the World Finals with. “I think the head to head battling is the best way. It's like one guys goes for like 2 minutes and the other goes for 2 minutes, it just goes back and forth and keeps the battle interesting and flowing more.” After 2 years winning as a team (Rock Steady DJs and Dream Team), Mike formed other crews with Q Bert (Invisible Skratch Picklz) and while they prepared to separate to focus on solo projects, Mike found himself doing something he never really thought he would be doing, being the DJ for ‘The Beastie Boys’. “I don't think I'd do it for any other band besides the Beasties because I've been a long time fan of the Beasties Boys, and when that opportunity came it was like a blessing.” For Mike the breakthrough came when he met MC A ‘Adam Yauch’ at the Rock steady anniversary show in NY. “When he wasn’t home I would leave scratch messages on his answering machine which started the whole shit.” And it was definitely a perfect match with them both having mutual respect for each other. Coming from the old school the beasties would constantly highlight the DJ in all their shows and Mike would always perform a mind blowing solo set. “Big respect to those guys you know, they really appreciate the workings of what's going on and they provided me a great platform to do what I do and kinda preach the art and show the kids that don't know what the turntable is capable of doing.” Even though Mike has retired from Battling, he continually contributes a great deal to the progression of the turntablist scene and gives respect to all that plays a role in it from the past to the present. “In order to know where you're at you have to know where it started. Peace to Kool Herc, Grand wizard Theodore, and Flash. Man if it wasn't for Herc, we wouldn't be here. Look how far we’ve come. Props to people like DJ Radar putting down notations on the scratch and all. Personally my method is like knowing when it's too much, It's a method of release. It's all therapy for me man it's all therapy.. Haha..” On the future of turntablism he adds, “I Love DJ's that kinda set themselves apart and take the initiative on building upon their own style. I love that and you know DJ's like that myself and Q, we're only gonna make the art go that much further you know. If there's enough of us doing things like that then we will be taking steps forward. You know just study the lessons and have an open mind to a lot of different music instead of just Hip Hop. For me I've learned to set myself apart from just being a scratch DJ. I turned myself into more of a musician now where I’m actually putting out records with scratch music. I mean that's the future for me. I mean if somebody can transcend themselves from being a battle DJ into being a fulltime musician too. Then that's the ticket, you'll be able to take it much further making music and putting out albums.” Mike’s new album “Bangzilla” has all his unique elements and he describes it as turntable theme music. “Basically it was like 2 years in the making, it was like a start and stop process. I would like make all these songs and put them away. Everybody that knows my style, it's just very sporadic. I didn’t want something like you just get that audio pleasure, I wanted to give the listeners something visually, like using their imagination cuz for me it's just like theme music. The total turntable theme music, monster music !” So can we expect more releases from this Beastie DJ in the near future? “I mean I’m just touching the surface on this stuff, this stuff can go on for days and days. I originally made 25 tracks for the album and I only picked like 14. I didn't want to over do it.” Keep your eye out for this incredible CD and weather you’re a fan of Mix Master Mike or not, the turntable monster music is something you just have to experience. Out through Stomp, however look out for the bootlegs from the Ruptilian race. “You can't always see them cause they're in some 4 dimensional status, they're like shape shifters, and they owe me money. My last CD they bootlegged so I got a Vendetta on the race.” Taken from djsunited.com.au

Wildomar, Calif. – (January 12, 2010) – Ultrasone Inc., distributor for German headphone manufacturer Ultrasone AG, announces the release of its latest special edition headphone – Edition 8 Palladium. Based off the design of the original Edition 8 headphone, these new special edition headphones incorporate lavish accoutrements to create the best sounding and most elegant pair of Ultrasone headphones to date. The Edition 8 Palladium is a luxurious black and silver closed-back headphone that employs Ultrasone’s latest S-Logic™ Plus technology, resulting in an impartial acoustic feeling that affords the listener the utmost spacious tonal perception. Catering to the growing need of audiophiles, who not only demand impeccable sounding, but also aesthetically pleasing headphones, Ultrasone has adorned the outer earcups with palladium, a rare material that increases durability and limits tarnishing. The earcups are also embossed with a high-tech ceramic inlay, completing the first-class appearance of the headphones. Each Edition 8 headphone is individually stamped with its own serial number & comes in a sleek leather bag for storage and transportation. Edition 8 Technical Specifications * Principle: Dynamic / Closed * Impedance: 30 Ohm * Driver size: 40mm Titanium plated * Magnet: NdFeB * Frequency range: 6 – 42.000 Hz * SPL: 96 dB * Weight (excl. cord): 260g * USC Cord length: 1,2m (OFC Cable) * USC Extension cable 4m (OFC Cable) * 3,5mm gold plated plugs * Adapter 3,5/6,3mm gold plated * ULE technology “We wanted to incorporate the finest materials into the Edition 8 Palladium to create an extraordinary headphone, satisfying the connoisseur who demands a fashionable design merged with high-quality function,” said Paul Taylor, President of Ultrasone Inc. “Our engineers have exceeded expectations by designing a headphone that delivers remarkable clarity while maintaining a striking aesthetic that is as much a work of art, as it is a critical listening tool.”

Espoo, Finland – (January 12, 2010) – EKS, creators of the world’s most innovative and fully configurable DJ controllers, is proud to announce the debut of their latest innovation – Otus RAW. Designed to work as a single or dual deck controller, EKS’ Otus RAW will contain many new features that were requested by professional DJs from around the world. Otus RAW is also designed to fully utilize the possibilities offered by today’s and tomorrow’s DJ software.x` Unlike the original Otus, Otus RAW is equipped with two long and sturdy SL-turntable-style pitch sliders, one for each virtual deck. The Otus RAW also features large velocity pads and buttons allowing for fast and easy operation in a hectic club environment. A layer switch immediately multiplies the layers of controls available on the Otus RAW, resulting in nearly an unlimited number of control possibilities. As with all EKS controllers, the Otus RAW will boast a future proof control ideology that makes the Otus RAW the most highly configurable controller for DJs today and for many years to come. “The concept for the Otus RAW was simple: take feedback from the world’s most well respected DJs on the original Otus and incorporate it into the design of Otus RAW,” commented Sulevi Seppänen, EKS’ Sales Director. “The original Otus is still one of the finest controllers on the market, but we realize that some DJs prefer the physical control of a SL-turntable-style slider as opposed to a touch sensitive slider. Between the Otus RAW and the original Otus, I believe our engineers have created two of the marquee controllers on the market today.”`

ORLY? Why don't you have a go at this? http://www.ausdjforums.com/modules.php? ... ic&p=15773

BUMP

yea you gotta watch out for that occasionally they try to post on these forums with bogus emails and scam gear those users get banned pretty quickly though always confirm every possible detail.

Good luck finding

i wanna end up with a pair of 1200's to keep forever. they will be what i replace my current gear with

did they get removed? is that why it says no one ever bid and it stayed at 99c?

welcome to ADJF give it a minute and someone will have your answer!

yea he is

pretty sure i voted 5 stars

link?

hey man welcome to ADJF

cbf paying

cbf going to the store

sometimes i have to do it a few times a week my net is retarded (i think it has alot to do with a shit phone cord) sometimes i'll wake up in the morning and the net is dead until i cycle or AT LEAST restart it or my speed will be like 5mb DL instead of 15mb and I have to jostle the cords or retstart/cycle

yea but the belkin ones have surge protectors and shit

are those belkin ones alright? http://cgi.ebay.com.au/BELKIN-Extreme-G ... 4149464dcb