Cupe

HAHAHA BEST FILM CLIP EVER

That's how facebook pages work?

Retweet the latest tweet on the ADJF twitter plzzzzzz

Fucking dope Downloading Not sure if I've never seen this yet, or I've already downloaded Downloading again

MOBILE DJING GOES CUTTING-EDGE: NUMARK INTRODUCES MIXTRACK EDGE, AN ULTRA-PORTABLE PROFESSIONAL DJ CONTROLLER Mixtrack Edge sports rugged Numark build quality, built-in audio, sleek aluminum platters, and a design that is less than one inch thin. Cumberland, R.I. (April 10, 2013) – From the beginning, Numark’s Mixtrack Series has given DJs the perfect mix of essential utility and professional capability. Mixtrack Edge brings the same spirit, offering advanced technology in a sharp design built for DJs on the go. Numark will unveil Mixtrack Edge at Musikmesse 2013 in Hall 5.1 at Booth B45 on April 10th in Frankfurt, Germany. Mixtrack Edge’s slim low-profile design features an integrated cover to protect the control surface and a full array of bright backlit controls surrounded by brushed aluminum, including sync, hot cue, loop, and two effects controls on each channel. An audio interface is built in for headphone cueing and PA system output. Slim metal platters control pitch bend, pitch fade, song selection, and cue mix. “This is a controller for every DJ,” said Chris Roman, Numark Product Manager. “Mixtrack Edge incorporates capabilities and design elements that make it a perfect go-to controller for cocktail hours, minimalist setups, or to keep with you all the time to work on or use for pre-gig prep.” Mixtrack Edge is class-compliant with both Mac® and PC and operates via standard MIDI, making it compatible with virtually any DJ software. It’s also USB-powered, so no power adapter is required. Numark will display Mixtrack Edge, along with another addition to the Mixtrack Series, Mixtrack Quad, a new four-channel controller that features a stunning array of colors on its platters and pads, giving DJs a fully interactive control surface. More here: http://djworx.com/exclusive-musikmesse- ... ontroller/

With the introduction of the RMX-80 Digital, Reloop is proud to set a new standard in professional club mixers. The RMX-80 Digital comes loaded with an impressive wealth of features and innovations, staking its claim for the crown among todays choice professional DJ tools. Familiar Achievements This fully digital mixer powerhouse offers everything a modern professional desires in a DJ-friendly control centre. The mixer surface is laid out clearly, offering intuitive control of the 4+1 channels, a clear terminal panel for up to 9 signal sources, 2 mic inputs with ‘active ducking technology’, digital effect unit with a large-scale display, 2 headphones outputs with intelligent 1-knob headphones EQ, crossfader assignment, as well as fader and crossfader-start. The bipolar filter section combined with the switchable kill/classic EQ offers unimagined flexibility in the frequency spectrum. Steplessly adjustable fader and crossfader curves allow everything from hard cuts to smooth mixes. Two independent beat counters with ‘intelligent tempo detect’ complete the RMX-80 Digital. The 13 brand-new, high-quality performance effects offer unseen creative potential for extensive live remix sessions. For added credibility, these effects were developed in close cooperation with professional DJs with respect to club suitability. The globally unique time bar buttons allow direct access to effect modulation. Depending on the selected effect, they serve as trigger buttons for loops, LFO, timing or pitch. The large LCD display shows all of the important information, and provides a clear overview during creative sesions. Reloop has always strived for the consistent development of proven concepts. Consequently, the RMX-80 Digital offers the classic solo cue mode as well as an extended mix cue mode which enables monitoring of several channels at the same time. Another addition that satisfies the demands of modern DJs is the USB hub which is a unique but essential feature as it counters the usual lack of USB ports on laptops. A further key feature is that the RMX-80 Digital can be adapted to every imaginable performance situation thanks to the extensive setup utility menu. From here, it’s possible to individually customize various settings including output zone routing, limiter and talkover threshold, and EQ crossover frequencies. The RMX-80 Digital is part of the new Reloop premier line product family, becoming the first choice solution for an affordable state of the art club mixer. Features 4+1 channel performance club mixer Fully digital architecture for outstanding sound and flexibility Future-proof thanks to innovative, updatable firmware system Setup utility mode for extensive control and setting possibilities (master, limiter, solo/mix cue, isolator crossover, talkover threshold, mic-to-booth, cue-to-booth, LED check, factory reset, firmware update) 13 high-quality performance effects in studio quality (flanger, delay, echo, reverb, transformer, pitch shift, loop roll, reverse loop, noise, bitcrusher, gate, tape delay, send/return) Direct access to effect modulation (trigger, LFO, time, pitch) via time bar buttons 2 independent beat counters with ‘intelligent tempo detect’ Large, well-structured LCD display for all important functions Bipolar filter per channel Adjustable EQ characteristics (kill & classic) Fader & crossfader-start Innofader compatible Mic channel with 2-band EQ & talkover ‘active ducking technology’ for mic channel Intelligent 1-knob equalizer and mono/stereo switch for headphones Active 3-way USB hub for additional audio interface or controller Individual zone routing Symmetrical (XLR) as well as asymmetrical (RCA) outputs Technical details Inputs: 7 Line, 2 Phono, 2 Mic, Return Outputs: Master 1 XLR balanced, Master 2 Chinch unbalanced, Rec, Booth, Send – Frequency range: 20 Hz – 20KHz EQ range classic: +12 dB/ EQ range isolator: +12 DB/ -8 dB (total kill) Dimensions: 320 x 107.5 x 382.4 mm Weight: 6.9 kg Further info here: http://djworx.com/exclusive-musikmesse- ... -80-mixer/

Yea, thought I'd revamp it. We have over 500 followers so might as well. Did see an increase in guests on the site when I started earlier this arve.

Any decent and relevant threads you make here will get tweeted. There will also be a lot more pumped through Facebook. So get those relevant threads up already.

Follow ADJF http://twitter.com/ausdjforums @ausdjforums

This probably needs updating. Halp nao

Tell that to the sheep

I was talking about 'commercial' being the keyword... And all things implied by it. Most people who like the immensely huge artists do because the artists promo team is as direct as 'like this artist'

Just tweeted this on @ausdjforums

An ode to iTunes DJ, a beloved feature that died before its time I didn't think twice about installing iTunes 11 the day it was released in late November. After all, application updates frequently fix software bugs that attackers can exploit, so I've made a habit of installing them quickly. Given that the upgrade had been billed as a major makeover, I was eager to experience whatever new hotness Apple tastemakers had thought of next. I never thought they'd kill the feature that, six or so years earlier, had prompted me to forsake the once revolutionary Winamp and make iTunes my music player of choice. I'm speaking of iTunes DJ, of course. The feature just oozed with the stylish aesthetics that Apple cofounder and former CEO Steve Jobs was legendary for prior to his death in 2011. When I fired up iTunes 11 for the first time, I was shocked to discover that Apple had killed it off. In its place was "Up Next," a new feature that some iTunes aficionados argue is a step forward. But this Ode to iTunes DJ argues just the opposite. iTunes 11's retirement of the beloved DJ, not to mention another display mode known as Cover Flow (more about that later) are tragic design decisions that have irreversibly degraded my enjoyment of the Apple player, so much so that I reverted back to a previous version of iTunes and haven't looked back since. Reading the 40-page discussion thread here, it's clear I'm not alone. Making music social In the early days, iTunes DJ was known as Party Shuffle, but the aim was the same. It provided a way for a group of people in the same room to add their favorite songs to a dynamically generated playlist, an innovation that made online music social in a way that no one had quite achieved before. The feature made it easy for party goers to select individual tracks from an entire music library, to either build a song list on the fly or to add them to a preselected mix. iTunes DJ allowed songs to be played next or added as the last entry in a queue, seamlessly, without a moment of dead air. Once people got tired of manually adding songs, iTunes DJ, as the feature eventually came to be called, would automatically pick tunes. The feature could be programmed to pseudo-randomly select songs from a particular genre, decade, or playlist, and it could also be tweaked to play higher-rated songs more frequently than lower-rated or unrated titles. Over time, Apple designers imbued iTunes DJ with new capabilities that made the music player even more dynamic. One of them allowed iPhone-carrying partygoers to have a say in what songs they heard. One setting allowed people to actually place songs into the queue, while a different setting allowed people to vote on which songs got played next. The additions democratized the music-selection process in a way that was never before possible: tunes with more upvotes got placed higher up in the list. To prevent the lone party pooper from injecting a fatal dose of Air Supply or some other musical schlock into an otherwise smoking mix, hosts could restrict the songs that were eligible to be chosen or voted on. iTunes DJ quickly became my preferred way to listen to music. With a library of 57,000 songs from a variety of genres, it's easy to forget about the Live recording of Calexico downloaded years earlier from the Internet Archive or the Duane Allman anthology a friend gave me as a birthday present that I never got around to listening to. At the same time, iTunes DJ gave me a way to ensure that the songs I liked enough to rate with four or five stars (about 3,500) never got lost in the mix. Thanks to the development of "smart playlists," iTunes DJ was even advanced enough to always skip certain songs in my collection. Christmas tunes and children's music left behind after a visit by a nephew could easily be filtered out by assigning a one-star rating to them, resulting in a smart playlist that excluded such songs. I would then designate the playlist (called "Just the Good Stuff") as the source iTunes DJ would choose from, rather than from the library as a whole. The result was a radio station of sorts that I could always rely on to play the songs I loved the most while still throwing plenty of surprises into the mix. The electronic throbbing of The Crystal Method and the haunting melodies of Elliott Smith were never far away, since I gave four and five stars to the best songs by both artists. But those songs went a lot further thanks to iTunes DJ's ability to inject long-neglected songs. Another cool feature of DJ was the ability to manually add songs to the list, using either an iPhone or an Android device. If I got a sudden hankering to hear The Beatles "She Said She Said," iTunes DJ made it easy for me (or a guest) to manually add it, either as the next song or to be played last in the queue. The feature also made it easy to dish up playlists for special occasions. For example, my friend Pronoy has an undying affinity for 1980s music. Telling iTunes DJ to pick songs from a smart list of tunes from that decade and favor more highly rated tunes has never failed us yet. Read more here: http://arstechnica.com/apple/2013/04/an ... -its-time/

And that image is fairly old I'm pretty sure Sad state

It's the difference between artists and commercial artists One key word there

Some are hard to find also cbf

Achaly have on vinyl

Welcome welcome

You can just pm someone and tell them to look at something That sort of function can be coded, but it takes a long time, and PM's are limited here to 100 or something so if someone doesn't clear them out it becomes pointless I remember looking into it once before a long time ago, can't remember the reason why it didn't get done then, must of been a good one