Cupe

When high rankers like this say dubstep is over it more and more makes it look like a fad

These are always dropped on the ADJF twitter as well

Yea fuar I have been working like 20 hour days on it since it went up (other then when at uni)

Not gonna lie I just listened to this about 8 times in a row

Holy fuck this mix is boss! Been listening while working and fucking love it. Good flow and good journey. Want moar. Will be listening a second time straight up.

Fucks me I just got it again then

Downloading

Welcome chief

Downloading Sincerely Your #1 fan

Downloaded

I haven't even heard it yet

Celebrate cassettes with Overture http://www.overtureclothing.com/product/pirate-singlet/

@tweeted

Gallery added http://www.overtureclothing.com/gallery/ Thanks to the fine sirs for their pics Anyone else that has a pic of themselves in ADJF/Overture gear post in here and I'll add it

Holy actual fuck +rep

Shop has been given it's own identity and label. Overture Clothing http://www.overtureclothing.com

How is the art in the music if you didn't produce it yourself?

Parris Hilton has signed to Cash Money record label. The 32-year-old heiress - who released her debut album 'Paris' in 2006 - will release a house music album later this year and has already recorded a single with Lil Wayne. Cash Money's Birdman tweeted: "Welcome @ParisHilton to tha Family. RichgangRichgirl. YMCMB (sic)." Paris replied: "@BIRDMAN5STAR Thanks BO$$! Happy to be a part of the family. #PH❤YMCMB (sic)." She also posted a link to a YouTube video, writing: "Love this song I recorded with @LilTunechi. Love Lil Wayne, he is so amazing! Can't wait for our new song!#I❤YMCMB (sic)."

Elaborate

Just check ebay for them

Cassettes are a key component of my upbringing, from being a medium on which to buy music, to record the latest choons from the radio, to recording my own mixtapes and selling them in the local record shop. But generally speaking, it’s a nasty format that sounds pretty terrible, and is prone to getting chewed up inside your car stereo, Walkman or boom box. But despite all the downsides, the BBC reports that they’re on the up and up. There is something timelessly cool about this format. Most probably the fact that it was the most convenient format for recording for ever, and was the de facto way to get your creations heard in the shortest possible time. I’ve lost track of just how much cash I poured into my local Boots shop for 10 packs of TDK C60s for my mixtapes. Perhaps it’s the continuing micro-revival of vinyl that is stimulating a hipster-driven lo-fi resurgence of the humble cassette. It’s quite possible that actual mixtape might make a cool and collectable return to the culture of the DJ, rather than having the moniker continue to be used on CDs and MP3s. Good luck finding a cheap supply of blanks tapes though. Last time I checked, they were changing hands for silly sums of cash. My favourite TDK SA90 is currently on eBay for £8.50. Look around — you may have some very easy money stashed in your attic or under your bed. The biggest problem I can see is that cassette decks were offloaded a very long time ago. I have a USB enabled walkman style device, but junk shops may well see the units they’ve had on their shelves for the last 2 decades finally shift. From http://djworx.com/cassettes-cool-again- ... -a-player/

1. You’re becoming a regular to our ‘Toolroom Knights Mixed’ compilations. What challenges do you face when creating a mix? This was quite an epic journey. I’ve started working on this compilation in December then it was on hold troughout January when I took my annual month off, after that we’ve had to licence couple of new tracks and then I already embarked on a month long tour trough Americas. I have to thank artist for their tracks and the office for getting quickly trough all paperwork. As on my first instalment in Toolroom Knight series, which was a nice success, I wanted to include as many exclusives as possible and I’m happy that they contribute to one third of the playlist. I’ve got many more but they didn’t qualify or just didn’t fit in this mix. I took the story further by producing two special intros, mixing in some movie speeches and dialogs, and on top of all this I’ve also created 30 beats out of approximately 150 loops especially for this mix. Both mixes are good representation of my club sound with some additional ornaments. One specific problem we had to solve was where to record this compilation as I was on tour. Luckily the owners of Clash club in Sao Paulo offered to use their club for one afternoon and I mixed one of the CDs there and the other one also somewhere in Brazil, though I can’t remember exactly where that was. Initially I planed to create this compilation in the studio but it turned out great anyway and now it also has a nice story attached to it. 2. What exclusives do you have on the mix? There are some 14 or 15 tracks included in this two mixes exclusively: Ant Brooks’ "Blasted", Koen Groeneveld’s "Blue Stratos", then Siwell’s amazing track "Tech This Out", Guille Placencia & George Privatti’s "Just Clipper" and other tracks provided by Uto Karem, DJ Anna, Simon Doty, Federico Scavo, DJ Chus and many more. These guys and girls are regulars in my radio and DJ playlists, so I’ve asked them for their new productions and they responded quickly with their exclusives. 3. You have two brand new tracks on the compilation, ‘Love To Dance’ and ‘Fluid Feel’ with Mike Vale. Can you tell us about them? It took me unusually long to get this two in the mix. Not that I couldn’t finish them. I’ve had to choose between a dozen of more or les finished tracks and it took some time to decide which ones to future. Probably I wouldn’t though that much about it but I don’t record compilations just every day, so I really wanted to include crème de la crème of my new productions. Hopefully I succeeded and people will like what I created. I’ve played with "Love to Dance" for some time and I did the final mix and mastering between gigs in South America. The other one is my latest collaboration with Mike Vale. I recorded the initial idea, sent it to him to upgrade it, then we met in his studio in January for a session where we threw out everything we didn’t like and after that he finished it. 4. You have collaborated quite a few times with Mike Vale. What makes this a successful partnership? We know each other for years. We used to hang out a lot with our friends, I’ve spent holidays at his home couple of times and he crashed my place when he needed a place to sleep as we don’t live in the same city, we did a lot of snowboarding together, he’s a true friend of mine. Couple of years ago, when our music became more compatible, we decided to do something together. As the results were always good tracks we decided to do another one for this compilation. And it’s not our last joint-project as we already scheduled the next studio session. 5. What have you got coming up on your label, 1605? The biggest project right now is our 5 Years Anniversary compilation. I have to finish my first collaboration with American DJ Dan – sadly we didn’t manage to meet in person during my recent USA tour. And then we plan to release a new track from … khm … Mike Vale. It seems everything evolves around Mike Vale this days … Interview by Matt Caldwell – www.mattcaldwell.co.uk

I was beatboxing and freestyling on the mic setup at uni studio the other day It's kind of like yours but has the pop filter. Definately recommend one

Yea women in clubs just make our groins ache and make us want to fight each other And distract us on the d floor when we're doing sick leg moves