Cupe

Mem8 wants to get this http://www.umart.com.au/pro/products_li ... &sid=81734 Thoughts? Better options? Doens't wanna pay much more than that tho, and specs need to be best as possible for around that price Will be used for assorted things, nothing too epic

viewtopic.php?f=54&t=6932

I think he was talking about audio10

fuuuuuuuuuuuu- must get

If I had to comment, I'd say that this track reminds me of an ornamental festoon of flowers, fruit, and greenery

Where did the name come from? The name comes from an album by Godflesh, one of my favourite metal bands. It's got a real industrial vibe to it with a lot of electronic elements throughout so I thought it was a suitable name for my style of music. How long have you been playing & how did it all begin; What factors came together for you to take an interest in DJ'ing/Producing? First got my hands on a pair of decks at the start of 2011. I started shifting away from metal and over to the dance music scene more and more around that time, and just decided to invest in some decks for a bit of fun. It wasn't until mid-2011 that I began producing my own original music though. After my former musical focus broke up, I needed a new way to vent my musical creativity, and I thought EDM production would be a good way in doing so. What do you spin? How would you describe your sound and what sort of style/DJ's influence you? Big fan of electro house, especially the Brazilian stuff (Dirtyloud, Darth & Vader, Felguk), as well as some dubstep, drumstep and drum and bass. Any track with a sharp sense of melody I'll dig as well, that's why I'm also a big fan of trance, as well as the more progressive styles of EDM. What are your weapons of choice? Still rocking my original set of decks which are Pioneer's CDJ350s and Pioneer's DJM350 mixer. Can't see myself upgrading any time soon really, they're just so simple and easy to use. Production wise, my weapons of choice are my laptop, Logic Pro 9, as well as Native Instruments' Massive and various plugins and VSTs. If you could change 1 thing along your way up to where you are now, what would it be and why? I wish I had stepped into the production scene earlier. There's so much stuff to learn and so many tricks of the trade you have to know, so I guess more experience in that department would have been helpful. Before starting dance music production though, I had 8 years of experience playing drums under my belt, which proves really useful when it comes to making beats and your tracks punch hard. If you could put yourself as the resident DJ in any scene, where would you choose and why? Would be cool to go over to Brazil where all my favourite electro producers hail from. Playing alongside the likes of Dirtyloud or Felguk would be amazing! What other Australian DJ's/Producers do you rate? Redial, Trumpdisco, Your Ol' Lady, Knife Party and Timmy Trumpet (loljks)! What was the first album you ever bought? First album was Archetype by Fear Factory, another one of my favourite metal bands. http://www.facebook.com/pages/Streetcle ... 506?ref=ts http://soundcloud.com/streetcleaner-1 Cheers blud

fuck lads i've been listening to your mixes pretty much whenever i listen to tunes on my phone except gym cause they're too chilled

why is this in offtopic u goon

am keen to listen to this im gonna crank it at the gym shortly farkkkk only 10 minutes

I have fat of the land and invaders must die albums on vinyl

only because if it is a legit aus post fuck up, as the seller I wouldn't want all my personal details posted on the net where bots crawl

Um I wouldn't of posted their private details in a public thread dude.. You just need to use them to sort it out

meet is in sydney not melb

you need to take it up with the seller and they need to chase it up with the post his part of the agreement was you receiving your goods Also there is a lost mail place you can call, try to get the number and find out if it went to there they open undeliverable parcels and write down the contents, then they just sit on a shelf

A one-of-a-kind website enabling the online sale of preowned digital-music files got a major legal boost late Monday when a federal judge refused to shutter it at the request of Capitol Records. ReDigi, which opened in October, says it’s a modern-day, used-record store that provides account holders with a platform to buy and sell used MP3s that were purchased lawfully through iTunes. The platform’s technology does not support other digital files such as those purchased from Amazon or ripped from a CD. The brief ruling (PDF) by US District Judge Richard Sullivan of New York did not clearly outline the reason for the decision. But among other things, the legal questions before him included the first-sale doctrine, the legal theory that people in lawful possession of copyrighted material have the right to sell it. Sullivan’s decision means that the case is still headed to trial, where Capitol will attempt to prove its allegations that ReDigi facilitates wanton copyright infringement and is not protected by the first-sale doctrine. John Ossenmacher, ReDigi’s founder, blasted Capitol in a statement. “We hope Capitol can get back to their business and find a way to catch up to the times instead of trying to stop the innovation process, denying rights to their paying customers along the way,” he said. Richard Mandel, Capitol’s attorney, said in a telephone interview that "We are confident we will prevail at trial." Sullivan said at a hearing on Monday that Capitol had a strong "likelihood of success on the merits," Mandel said. A different federal judge sided with the first-sale principle in 2008, when it debunked UMG Recordings' claim that it retained perpetual ownership of promotional CDs it releases before an album’s debut. Last year, however, a different court ruled against now-defunct online service Zediva, which streamed movies to customers via DVDs that Zediva had purchased. In the ReDigi case, Capitol Records sued the Massachusetts-based startup last month in New York federal court. Claiming ReDigi was not the used record store it said it was, Capitol said ReDigi was liable for contributing to copyright infringement. The label was demanding US District Judge Richard Sullivan immediately order ReDigi to remove Capitol-owned material, (PDF) and to also award damages of up to $150,000 per track against the startup. ReDigi would have gone defunct had the judge sided with Capitol. ReDigi explained to Sullivan in court papers (PDF) that its undisclosed number of account holders have a right to upload their purchased iTunes files into ReDigi’s cloud. And when a file is sold to another ReDigi account holder, no copy is made. What’s more, because of ReDigi’s technology, the original uploaded file that is sold cannot be accessed by the seller any more through ReDigi or via the seller’s iTunes account. Prices for songs vary on ReDigi, with some files having asking prices as high as 87 cents—just 12 cents less than what many songs retail for on iTunes. The company, which earns up to 15 percent per sale, also offers cloud-storage music streaming.

put it up on the ADJF facebook page last night

Muahahaha

Currently listening to: fagetmix vol1 nah jokes it goes alright

Moved to Computer Corner

just make sure u record i love havin these mixes on my phone listening while walking makes it like walking in le ocean and when im at work its fucken sweet

keeeeeeeeeeeeeen also pumped ur #7 mix today so good, recognised so man dope tracks

holy shit what the fuck

How le fuck do I download it

Holy fuck that was a sick drop I was thinking it was going to be some ambient shit (which I love anyway, produced it for a fair while myself) Then this epic warped tune comes in I'll call it Spacestep Fucking mad, I like it. The shit you're doing is interesting, keen to see where you go in time

Hiya Welcome