Cupe

Yeah you're right. It ended up being too hard to put it all on the one desk. So I made a better shelf and shit fits better. Just need to get the stands for monitors and they can sit either side of the desk. tbh if I just had a cordless pc keyboard I could just swap that out for the mixer and leave the decks on the right and left, but no need to squash shit in. Will leave the decks on the long desk but at least I can now produce with space. BEFORE AFTER

here's a top down and front view with speaker stands instead of other shit on the sides. this has potential

fuck this i give up

yeah the 1x4 are way too high

kallax everything

This is the toolkit - feel free to add any ikea furniture or any other shit that might work

or maybe this (i have a 2m wide desk (with the decks on like in the pic) but it's too narrow, and a 1.6 metre desk (which my pc setup is on now) might be a bit crowded but

This would work for a production station, but duno how the fuck decks fit in the mix

I'm almost thinking a kallax 2x4 with legs on the bottom (to raise it up) sitting on the other side of the desk could work to sit the screens on and gain more desk space But there's no way to fit the keyboard around the decks and mixer AND be able to achaly type and use a mouse and shit

So I'm sick of this current bullshit setup and want to build the greatest single desk there is. It needs to be able to fit 3x24" screens in a row PLUS 2 krks on the left and right sides, height adjusted to ear/eye level. I also need space for a midi keyboard, which should sit in the middle but I also need room for the computer keyboard in the same spot. I also need both decks and mixer involved. I have no idea if this can all work together as a console but also just to use the pc in general whenever. the controllers can slot in anywhere. the shelf the screens are on now is a shit DIY job and needs to go Any example pics/sketches/ideas would be good. I think the keyboard could sit on a slant under the middle screen, the screens and monitors sit on a raised shelf at the back, decks either site, mixer to one side (battle style) But shit can also just be moved around if I was only going to mix, or only going to use da internet Need to combine the two pics into 1 desk:

Cloud Generator: http://clang.mat.ucsb.edu/software.html (Mac-OS9 classic only) (free) Developed by Curtis Roads and John Alexander. Cloud Generator synthesizes granular sounds in units called "clouds" and also "granulates" stereo sound files. Pulsar Generator: http://clang.mat.ucsb.edu/software.html (Mac-OS9 classic only) (free) Developed by Alberto de Campo and Curtis Roads. It generates sound particles called pulsars. (See Roads (2001) Sound Composition with Pulsars for more information) Emission Control: http://clang.mat.ucsb.edu/software.html (Mac-PPC only) (free) Written by David Thall in consultation with Curtis Roads. EC is an interactive real-time program, with many novel features, including modulation of synthesis parameters, multiple sound file input, and variable-Q filtering on a grain-by-grain basis. Chaosynth: http://chaosynth.granularsynthesis.com (CSound) (free) Chaosynth by Eduardo Miranda uses cellular automata (CA) to control the generation of large number of individual sonic events using a GUI in CSound. GranuLab: http://www.abc.se/~re/GranuLab/Granny.html (Win) (free) Developed by Rasmus Ekman, it can granulate 8 streams simultaneously. Density: http://www.apesoft.it/download/ (Win/Mac and M4L plugins) (Lite version free) Asynchronous sampled/live granular synthesis by apeSoft Pulsaret: http://www.apesoft.it/download/ (Win/Mac and M4L plugins) (Lite version free) Microsound Prototypes of Granular Synthesis (Glisson, Pulsar, Grainlet, Trainlet) by apeSoft MacPOD 2: http://thirdmonk.com/MacPOD.html (Win/Mac) (free) MacPOD/WinPOD by Chris Rolfe and Damián Keller generates a wide range of effects from time compression/expansion to richly varied spectral transformations. MacPOD is named in honour of the original POD GSAMX system developed by Barry Truax at Simon Fraser University. Granulator: http://www.nicolasfournel.com/granulator.htm (Win) (free) Developed by Nicolas Fournel (currently offline - hoping it will be back soon) AL & ERWIN: https://www.keele.ac.uk/music/people/rajmilfischman/rajmilfischmanfreesoftware/ (Win) (free) Developed by Rajmil Fischman, the AL...gorithmic Compositional Environment in conjunction with ERWIN applies the solutions of Schröedinger’s equation for an atomic potential with radial symmetry (a well-known equation from Quantum Mechanics) to the creation of granular clouds. Clouds: https://www.keele.ac.uk/music/people/rajmilfischman/rajmilfischmanfreesoftware/ (Win/Mac) (free) Developed by Rajmil Fischman, real-time asynchronous granular synthesis of four seperate sound buffers. jMusic Online Granulator: http://www.granularsynthesis.com/jgrain.php (Win/Mac/*nix) (free) Developed by Tim Opie using jMusic, it runs online, if you have java enabled....(does anyone now?) Kenaxis: http://www.kenaxis.com/ (Win/Mac) (free trial) : Real-time improvisation software with 6 loop players each with granular synthesis and many other effects. RTGS-X: https://www.macupdate.com/app/mac/15912/rtgs-x (Mac-PPC only) Real-time granular synthesizer, OSX-PPC updated version of the Real-Time Granular Synthesizer for Mac OS8. Partikkel: http://oeyvind.teks.no/results/applications/partikkelapplications.htm (CSound) (free) Partikkel csound opcode desigedn by Oeyvind Brandtsegg, implemented by Thom Johansen and Torgeir Strand Henriksen, with a vast array of parameters to tweak. Atomic Cloud: http://atomiccloud.gersic.com/ (Win) (free) The Atomic Cloud Grain Cloud Generator takes an audio file as input, and generates a granular synthesis grain cloud in real time. Sample Toy: http://www.mrkbrz.com/sampletoy/ (iPhone) Curtis Heavy: http://itunes.apple.com/us/app/curtis-heavy-granular-synthesizer (iPhone) Borderlands: http://www.borderlands-granular.com/app/ (iPad) Granite: http://www.newsonicarts.com/index.php?page=granite (Win/Mac) Narrativas Sonoras II: http://ruipenha.pt/software/narrativas-sonoras-ii/ (Win/Mac/*nix) Grain Science: https://itunes.apple.com/app/id487233637 (iPad) HourGlass: http://xenakios.wordpress.com (Win/Mac) REplay PLAYer: http://www.essl.at/works/replay.html (Mac) iDensity: http://www.apesoft.it/idensity/ (iPad) Multi-streams real-time granular playground able to generate a wide range of usual and not so usual effects by apeSoft iPulsaret: http://www.apesoft.it/ipulsaret/ (iPad) Real-time software capable of all time-domain varieties of granular synthesis (Glisson, Pulsar, Grainlet, Trainlet) by apeSoft GrainProc: http://www.grainproc.com/ (iPad) Generative 2: https://sirenaudio.co.uk/collections/frontpage/products/generative-2 (Win/Mac) SoundGrain: http://ajaxsoundstudio.com/software/soundgrain/ (Win/Mac) Music Programming Environments that have Granular Synthesis Capability: Csound: http://www.csounds.com/ (Win/Mac/*nix) jMusic: http://explodingart.com/jmusic/ (Win/Mac/*nix) ChucK: http://chuck.cs.princeton.edu/ (Win/Mac/*nix) Extempore: http://extempore.moso.com.au/ (Win/Mac/*nix) Impromptu: (M) http://impromptu.moso.com.au (Mac) Max 5 (Max/MSP): (WM) http://www.cycling74.com/products/maxmsp.html (Win/Mac) AudioMulch 2: (WM) http://www.audiomulch.com/ (Win/Mac) PD:(WMU) https://puredata.info/ (Win/Mac/*nix) SuperCollider: (WMU) http://supercollider.sourceforge.net/ (Win/Mac/*nix) Composers Desktop Project: (WM) http://www.composersdesktop.com/ Reason: (WM) http://www.propellerheads.se/products/reason/ (Win/Mac) Logic Pro: (M) http://www.apple.com/logic-pro (Mac) SynthEdit: (W) http://www.synthedit.com/ (Win) Reaktor 6: (WM) https://www.native-instruments.com/en/products/komplete/synths/reaktor-6/ (Win/Mac) Kyma X: (WM) http://www.symbolicsound.com/cgi-bin/bin/view/Products/WebHome (Win/Mac) Bidule: (M) http://www.plogue.com/products/bidule/ (Mac) Buzz: (W) http://jeskola.net/buzz/ (Win) MachFive 3: (WM) http://www.motu.com/products/software/machfive/technology.html (Win/Mac) ixiQuarks: (M) http://ixi-audio.net/content/download/ixiquarks/index.html (Mac) Usine: (WM) http://www.sensomusic.org/ (Win/Mac) Granular Synthesis Plug-ins (mostly VST): Alchemy: http://www.apple.com/logic-pro/whats-new/ (for Logic) crusherX Studio: http://www.crusher-x.de/ SaltyGrain: https://www.samplesumo.com/ Grainbot: http://www.kvraudio.com/developer_challenge_2009.php#dc09_24 +bubbler: http://www.soundhack.com/freeware/ grANALiser: http://morfiki.blogspot.com/ Fragmental: http://www.niallmoody.com/ndcplugs/fragmental.htm GGrain: http://www.gvst.co.uk/ggrain.htm ParticleCloud: http://www.martin-brinkmann.de/plugs.html Dropout: http://www.tweakbench.com/dropout Minerva: http://www.tweakbench.com/minerva Pudding: http://www.tweakbench.com/pudding SideSlip: http://www.tweakbench.com/sideslip Muchacho: http://www.xoxos.net/vst/vst.html#effects Grainz: http://www.sknote.it/download.htm Grapheed: http://www.lidsquid.de/grapheed/index.html Scope: http://www.lidsquid.de/archive.php GRMTools: http://www.inagrm.com/grmtools Padshop Pro: http://www.steinberg.net/en/products/vst/padshop/padshop_pro.html HALion 5: https://www.steinberg.net/en/products/vst/halion_und_halion_sonic/halion_5.html ag.granular.suite: https://cycling74.com/toolbox/ag-granular-suite/ (for Max/Jamoma) Granulator II: http://www.monolake.de/technology/granulator.html (for Max and Max4Live) The Mangle: http://sound-guru.com/software/mangle/ Triple-Perc: http://www.customarttools.com/softwarelist/tripleperc (for Max and Max4Live) Grainer: http://puredata.info/Members/pdiliscia/grainer (for PD) J.A.G.S.: https://github.com/Limulo/Jags (for PD) Cosmosƒ: http://www.sonic-lab.com (VST/AU) The Synthesis ToolKit in C++ (STK): https://ccrma.stanford.edu/software/stk/ (C++ Library) (OSS, free) The Synthesis ToolKit in C++ by Perry R. Cook and Gary P. Scavone is a set of open source audio signal processing and algorithmic synthesis classes written in the C++ programming language. STK was designed to facilitate rapid development of music synthesis and audio processing software, with an emphasis on cross-platform functionality, realtime control, ease of use, and educational example code.

Hello mate welcome

aka her booobs

Eddie Dean has established himself as one of the most important figures behind New York’s club scene through his esteemed event production through RPM Presents and ownership of venues like Schimanski and Pacha NYC. Now, Dean has announced his newest endeavor – a titanic concert venue on New York’s scenic Governors Island. The forthcoming event space, which will assume a currently unoccupied sector of the island, already boasts an enticing musical schedule ahead of its summer opening. Carl Cox, Richie Hawtin, Tiësto, and Hardwell are among the acts slotted to headline the venue in the coming months. Of the new multiple-stage project, Dean tells Mixmag, “We are really excited and can’t wait to share this one-of-a-kind venue with everyone. We’re bringing in top talent with highly curated line-ups to match — and wait until you see the view”. Hardwell will perform at the venue’s debut show on Saturday, June 17. Via: Mixmag Read More: Justice stake their claim as world’s best dance-rock band at Coachella 2017 Steve Angello is hosting a pop up shop in LA this week ODESZA has new music coming in the near future Source

Hello fella Used to be my hood up there #ValleyLife

Words by Stanley Berkon Just announced by Spotify and Universal Music Group is an exclusive license agreement that is set to take both companies’ services to a new level. Currently the global leader in music streaming, Spotify has agreed to a multi-year contract with UMG, with plans in place to benefit services for fans, artists and labels alike. Within this exciting announcement, we can expect to see fresh marketing campaigns for releases via Spotify, and new tools implemented that will help UMG gain a deeper understanding on how fans want to engage with artists. collaborating on innovative marketing campaigns across Spotify’s platform. In a statement from CEO and Chairman of Spotify Daniel Ek, he talked of “working together to help break new artists and connect new and established artists with a broadening universe of fans in ways that will wow them both.” From now on, Universal associated artists can drop new LPs via Spotify Premium for two weeks – giving fans an exclusive first listen, whilst singles will still remain open across the rest of the service. In addition, from Universal, CEO and Chairman Sir Lucian Grainge passionately spoke of how the two companies can work to further develop the way the music industry works, stating: “Today, streaming represents the majority of the business. At UMG, we’ve not only reimagined distribution models and technologies, but entire business models... I look forward to working with Daniel Ek and his team to develop exciting new ways to connect artists and fans around the world.” Watch this space… Source

LOL like a true ADJFer

About a month ago, Don Diablo released “Children of a Miracle,” a future bass collaboration with Marnik that already has racked up 4 million plays on Soundcloud. The world-renowned DJ and producer decided to take the track to the next level with a VIP mix of the tune that was released on his own record label, Hexagon. Don Diablo’s solo twist employs a slower melody and a darker drop with more layers. He also changes up the lyrics with a different filter creating a future, robotic vibe. Don Diablo has been producing and remixing tracks left and right, and his weekly Hexagon radio always delivers the newest tracks in the future bass, deep house, and electro house genres. His unique style has captivated fans from all over the world, and his new ID debuted at Ultra seems to indicate era of house for the Dutch artist is on the horizon. Read More: Don Diablo shares the history of his career for his BBC Essential Mix debut Watch the music video for Don Diablo’s remix of Rihanna’s ‘Love On The Brain’ Don Diablo drops a bruising future bass ID at Ultra Music Festival Source

For the past past few years, the dance world has primarily known Lee Foss under the guise of globe-trotting house DJ, label owner at Hot Creations, and constant collaborator behind various supergroups like Hot Natured and Pleasure State. In 2017, however, Foss has turned his full attention to his solo career, releasing his debut artist album Alchemy. Alchemy has been a long-time coming. While more than a year-and-a-half in the making, it’s ultimately a culmination of Lee’s artistic growth over the years, tracing back to the early days of 2009 and 2010 when Foss first made his break on tastemaker imprints like Culprit ad Wolf + Lamb Records. As such, the album reads like a retrospective, highlighting many of Lee’s most seminal influences, like disco, funk, and soul. Alchemy is a bit anachronistic. While temporally planted in 2017, it feels as though it could have been released three to four decades prior. With nods to Italo disco, acid, and techno, the album bears a rugged, retro sensibility, highlighted most notably in its gritty analog synth work and dexterous drum machine programming. The album is further notable for its rampant collaborations. Lee has recruited some of his most trusty allies, such as Anabel Englund, whom he was worked with extensively in the past in both Hot Natured and Pleasure State, as well as Camille Safiya, Anjulie and more. “The album means so much to me personally, not just in hard work and late nights but in real emotion,” Foss says. “Seeing poems I wrote for my girlfriend come to life in “The Gift” and “Blue is the Distance,” or songwriting sessions like “Alchemy” with Camille Safiya or “Green Light” with Anjulie grow into organic songs through shared creation and take on a life of their own.” The album ultimately plays at a deeper desire of Foss’s: to explore the intersection of spirituality and traditional scientific beliefs. “I titled the album Alchemy because I’ve long been fascinated by the scientific and spiritual dichotomy it represented, sort of as the crossroads of modern science and ancient spirituality, and its ethos of distilling perfection in the physical and spiritual realm,” Foss says. “It’s dismissed as pseudoscience now, but most of modern chemistry and the scientific method stems from it, and I’m interested in a world that better combines the spiritual realm with the scientific and western medicine we worship today.” Standout Tracks: “Till The Light,” “Blue Is The Distance,” “Living In The City” Lee Foss’s debut artist album Alchemy is out now. Stream it below and download it here. Source

Two days of Coachella‘s Weekend 1 have already come and gone, and now fans at home experiencing the notorious “Couchella” live stream can look forward to one more fantastic day of diverse live performances streamed across the festival’s three dedicated live channels. Yesterday, viewers got the chance to witness closing sets from the likes of DJ Snake and Martin Garrix. Tonight, EDM fans are invited to watch performances from Porter Robinson & Madeon, Kendrick Lamar, Hans Zimmer, Marshmello, Justice and many more! See today’s full schedule for the stream via Coachella’s YouTube page here, and watch the stream below! Times are in PST – and if you missed any of the sets from yesterday, here are all the best ones. 03:35 – Ezra Furman (1) 04:25 – Whitney (1) 05:15 – Toots And The Maytals (1) 06:10 – Grouplove (1) 07:15 – Future Islands (1) 08:10 – Tove Lo (1) 08:55 – Porter Robinson & Madeon (1) 09:50 – Lorde (1) 10:45 – Kendrick Lamar (1) 03:35 – Grace Mitchell (2) 04:25 – Preoccupations (2) 05:15 – Goldlink (2) 06:10 – Jack Garratt (2) 07:00 – Kiiara (2) 07:50 – Tycho (2) 08:40 – Hans Zimmer (2) 09:45 – Kehlani (2) 10:40 – New Order (2) 03:35 – Majid Jordan (3) 04:25 – Anna Lunoe (3) 05:15 – Nao (3) 06:05 – Honne (3) 06:55 – Kaytranada (3) 08:10 – DJ Khaled (3) 09:00 – Galantis (3) 09:55 – Marshmello (3) 10:50 – Justice (3) Coachella Live Stream: Channel 1 Channel 2 Channel 3 Image: Rukes This article was first published on Your EDM. Source: WATCH HERE: COACHELLA DAY 3 LIVE STREAM Source

Black Sun Empire started quietly producing drum and bass in the early 90s, but they’re not so quiet anymore. With three labels and a hugely followed podcast on top of their rapidly expanding discography, BSE are now widely considered one of the leading authorities and tastemakers in drum and bass. As their latest LP gains steam after its March 31 release, however, Rene Verdult and brothers Milan and Micha Heyboer seem less concerned with labels and more interested in impressing each other and pushing the already far-reaching limits they’ve set for themselves over the more than 20-year lifespan of Black Sun Empire. Your EDM sat down with the trio this week to talk about the new release. Thanks for sitting down with us. The tracks on The Wrong Room all seem so different. If you had to pick, which track on the new LP is each of you most proud of and why? It’s really hard to choose, because for us the main thing is the process of deciding what’s going to be on there and what’s not. After that they are really all our favourites! Now it’s more interesting for us to see which ones the people like. Also, we like to make album tracks, stuff that we might not play out, but you can never call ‘filler’. That’s a stupid term anyway. If they do well on their own terms that is sometimes even better! Well if the Soundcloud numbers are anything to go by, it looks like “No Advance” with Prolix is a winner! Regarding technique, there seem to be new levels of grinding, syncopated bass synths on The Wrong Room. Can you talk about some of the processes you used in coming up with these basslines and synths? Ex: “Foundation”, “The Veil”, “Swarm”, “Abduction”. Well on “Swarm”, the main synth and bass took a lot of work. Of course the melody is quite simple, but the processing is not. With that track the main issue was that we kept going in different directions with it, in the end we went with this one because it’s rather upbeat, almost happy and we tend to have a lot of moody, darker sounds so makes for nice variation. A lot of work also went into one of the smaller sounds reminiscent of Ed Rush and Optical’s older work, which is where drum and bass began for us. On “Abduction”, the track started with us as a kind of tribute to the rock and roll feeling that older drum and bass had. Some fellow artists like The Upbeats and Gridlok also know how to capture that feeling, kind of a tribute to that sound in a way. The trick was keeping everything simple, funky and still moving and changing all the time. With “Foundation”, getting the main riff and bass sounding good and still having a nice groove was the main problem here, that took a fair bit of messing about, editing and processing. Same question for programming. You mean drum programming? Sure. The more technical aspects of the drums. Well in “Foundation”, “The Veil” and “Abduction”, the kick and sometimes snare placement are not so standard. The standard for modern drum and bass is the two-step beat and “Swarm” is the only one from this list that conforms to it. Things weren’t always like this, in the beginning drum and bass had more complex drums and even though we don’t want to force going back to that, it is nice to stray from the mainstream sometimes. The collab with Audio also stands out for different drum programming. Yes, I remember when DnB was much more syncopated as well. It’s nice to hear beats where it at least pays homage to that. That said regarding different drum styles, was there an overarching theme to the album this time? It seems the tracks are all tied in to each other in terms of a vibe, so was there a certain attention to creating that vibe throughout the record? That comes sort of naturally when we choose the tracks for album. The collection that ends up there really fit together we thought, but we don’t know why, maybe more of a happy accident. If that is done we start thinking about album name and artwork. Speaking of artwork and visuals, the graphics videos previewing the new release were simple but very visceral and had a real punch. Who did you work with to design that imagery and will that be applied to the live shows on upcoming tour dates, especially the NuForms festival? We don’t have our own live visuals, but we see a lot of VJs who use our work when we play. The main artwork was done by Rutger Prins and his assistant Max Lehmann. We came up with the setup together, but the end result is very much his work. An old friend of ours (Max de Beer) used that imagery to create some videos and they worked really well. It’s great to see a video behind the scenes for the making of the artwork. With it being such common occurrence to have artwork made up on software, what was the reasoning with really going that extra mile? That is really the way Rutger Prins works. You should check out his other works, he likes to make things is the real world that people would associate with digital stuff. Of course he uses digital processing, but the basis is analog. Just old fashioned great use of light, objects, insanely good lenses and cameras and lots of time. There are a lot of great collaborations on The Wrong Room. How did you decide which artists to work with? What were you looking for? Some of the people we worked with are very familiar to fans of us and our label. Some are new to people, especially some of the vocalists. We normally make a demo for people to write/record to and we work with the ones we like. Simple really! We go purely on sound and vibe, sometimes fans ask us for the exact lyrics, but we have no idea sometimes. Wow that’s a cool way of working. So it’s a surprise even to you sometimes. More specifically then with something like the “Caterpillar” State of Mind collab with Virus Syndicate, how did that come about? Did you and SOM give any direction to Virus about how you wanted the lyrics to fit the track, or did you design the track around his lyrics and unique vocal tone and timbre? It seems like a perfect match. We made the demo version for them to work with and gave them feedback. The only inspiration they got from us was the track title, which wasn’t a lot of help I think! It’s great what they came up with and the changes we made in the final stage were quite minimal. We did an electro track together in the past that never came out, but we are very eager to work together again in the future. Another track-specific question, how did you come to work with Sarah Hezen and what was the impetus for “I Saw You”? It’s quite different and will definitely challenge some more techy dnb fans’ perception of BSE. Was this on purpose? It’s indeed not a neuro dancefloor killer. But looking back, we did this track called ‘Dark Girl’ a long time ago which we never released but somehow did make it onto the internet and now has tons of plays and likes. This track has similar vibe, so hardcore fans might not be too surprised. The dark chords, vocals and driving energy created with the bass and beats. We had a demo version of this track and were looking for a suitable vocalist. After finding Sarah, she just nailed it on the first take! It seems like a few of the tracks were blending a lot of genres like neurofunk with half time or more conventional drum and bass. Do you feel like since a lot of fans look to BSE as an authority on neuro, you want to push the envelope and get people to see it and other forms of bass music in new ways? Not really like that. We don’t see our music as neurofunk either. A description that fits early Matrix and Ed Rush & Optical, in our view. We don’t think in terms of genre really, just drum and bass we like and DNB we don’t like. We try to stay varied in our DJ sets as well. So pushing the envelope? Maybe, but only to impress each other (laughs). We don’t think about our influence on the scene, if you do you go mad probably. So we make stuff we like and see what it does. Any final words on the album, the state of DnB today or anything for the readers? We can only speak for the parties were we play and we have had some really great ones to say the least! The scene seems to be doing well in general, the success of recent drum’n’bass mega parties might hurt smaller ones, but I hope they don’t, they are the real thing that keep everything going. Despite The Wrong Room’s being hailed as a triumph only ten days after its release, the boys in BSE are quite cavalier in their approach to how they view the album. They produce tracks at an astonishing rate, and are more concerned with pushing each other and being of one mind in the music they put out. After so many years and countless tracks, Black Sun Empire show no signs of becoming bored with their chosen genre and the musical process they love, so fans needn’t worry; Black Sun Empire won’t be slowing down any time soon. The next release is just around the corner. This article was first published on Your EDM. Source: Your EDM Interview With Black Sun Empire on the New LP, “The Wrong Room” [Video] Source

It’s that time of year again… Coachella is upon us and so is the annual Coachella live stream. Spanning three channels and two weekends, with 86 confirmed artists on the live stream this weekend alone, you’ll be able to experience “Couch-ella” from the comfort of your home over the next three days. With some of our favorite DJs being placed on the stream, like Dillon Francis and Steve Angello tonight, we’re bound to hear some new music and see some new stage designs. We know Dillon has been teasing his on Snapchat and Instagram for the past couple of days. Dillon Francis is now live from the newly designed Sahara tent, watch it go down below! Coachella Live Stream: Channel 3 Image via Rukes.com This article was first published on Your EDM. Source: WATCH: Dillon Francis Is Taking Over Coachella Live Right Now [Stream Here] Source

It’s that time of year again… Coachella is upon us and so is the annual Coachella live stream. Spanning three channels and two weekends, with 86 confirmed artists on the live stream this weekend alone, you’ll be able to experience “Couch-ella” from the comfort of your home over the next three days. With some of our favorite DJs being placed on the stream, like Dillon Francis and Steve Angello tonight, we’re bound to hear some new music and see some new stage designs. We know Dillon has been teasing his on Snapchat and Instagram for the past couple of days. Steve Angello is now live from the newly designed Sahara tent, watch it go down below! Coachella Live Stream: Channel 3 Image via Rukes.com This article was first published on Your EDM. Source: WATCH HERE: Steve Angello Is Live Streaming From Coachella Right Now Source