yizzle

i just spat beer on my lap!

Akai is launching two new controllers for Serato DJ that have a small form factor but unlock full control of the software. We’ve got details on the AFX, an effects and cue point focused controller, and the AMX, a two channel mixer with a soundcard. Slimline Modular Controllers When Serato DJ launched, it was clear that the formerly digital-vinyl centric company was finally starting to take a controller friendly approach to their DJ software. But unlike their major competing software, Traktor, most of the controllers that came supported in Serato DJ have been all-in-one devices that incorporate jogwheels, a mixing section, and effects control – if not many more control surfaces. Akai’s new controllers fill a clear gap in the Serato controller world, modular controllers that are akin to the Kontrol X1/F1/Z1 lineup, suitable for use next to a variety of other controllers or just by themselves. Akai AFX: Efx, Samples & Flip Control: The AFX takes a secondary controller approach to Serato DJ, much like the DDJ-SP1 subcontroller from Pioneer. This controller has a 8 velocity-sensitive pads with RGB feedback backlighting, allowing for control of cue points, loops, slicer, samples, or even the just-announced Serato Flip feature (read more here). There’s also browsing/loading control, a strip-search touch strip at the top of the unit, and of course, 6 knobs for controlling FX levels, assignment, rate, and dry/wet levels. The FX knobs are touch sensitive, just like those found on the Numark NS7 II, allowing the FX to be activated quickly with a tap, or permanently with a twist. The AFX will be available “this fall” for an expected price of ~$199.9. That includes codes for unlocking Serato Flip (normally $29) and the Back Pack FX pack ($20). AKAI AMX: THE MIDI MIXER We’ve long heard digital DJs clamoring for more options in low-cost MIDI mixers with integrated sound cards. Native Instruments had their crack at it with the Kontrol Z1, and now Akai is bringing the same level of functionality to the Serato DJ world with the AMX controller. The AMX is a two channel mixing controller with a 24-bit/96kHz audio interface – two sets of RCA Phono/Line inputs for Serato DJ timecode control, as well as a pair of RCA output ports. Conveniently the AMX comes with the full version of Serato DJ – yes, that means that the software will run in a fully-functional live mode with just this controller plugged in. The controls on the AMX are fairly standard – two line faders, gain/EQ/filter knobs (also touch sensitive), and a mini innoFADER resting in the crossfader position. Browse and loading controls are also prominent on the controller, as well as basic transport controls (cue/sync/pause/play) – something that the Kontrol Z1 was sorely missing. The AMX will also be available this fall, with an expected price of ~$249.99. This includes a full version of Serato DJ, but if you want to unlock DVS control, that will be sold separately as an additional update. Source: djtechtools.com / wrxfiend

The full list of new things, improved things, and fixed things: New Software Features: • MIDI Panel for MIDI mapping additional features • Hide Track/Artist Info (ALT + M keyboard shortcut) • Sort Cues Chronologically • Ability to re-order Cue Points by dragging and dropping • Right click Cue Point trigger to change Cue Point color • Tempo nudge and range buttons available in MIDI mapping mode for controllers • Blue Active Deck borders around waveform headers • Channels 3 and 4 now available as recording source for Denon MC6000MK2 • Mic/aux inputs now included in “mix” recording for: ·· Novation TWITCH ·· Vestax VCI-300 ·· Pioneer DDJ-SX ·· Reloop Terminal Mix 2 & 4 ·· Numark NS7 • Mic now included in “mix” recording for: ·· Vestax Typhoon • Aux now included in “mix” recording for: ·· Vestax VCI-100mkII Added Serato DJ Hardware Support: • Numark NV • Akai AMX Added Serato DJ Accessory Support: • Akai AFX Other Changes: • Support for Mac OS X 10.6.8 Snow Leopard discontinued • Updated drivers for all supported Rane hardware • Optimised Platter Latency for the Pioneer DDJ-SX • Slicer Mode for Vestax VCI-400 (SHIFT + ROLL) • Slicer Mode/BPM display for Reloop RP-8000 • Mapped SHIFT + AUTO to Reloop/Exit on the Denon MC2000 • Update to Serato DJ Thru mode logic for Rane devices. Hardware Thru mode and software Thru mode are now kept in sync, removing any drop in audio when switching • Improvements to CTRL + F search functionality • Numark Mixtrack Pro II RELOOP button now mapped to “Reloop” instead of “Loop On/Off” • Vestax VCI-300 BACK & FWD are now mapped to back/fwd functionality • Novation TWITCH touchstrip sensitivity adjusted to be closer to Serato ITCH sensitivity • Numark V7 LOOP CONTROL ON/OFF button now activates the last active loop instead of creating a new loop, aligning with Serato ITCH spec • BPM Meter for Numark V7, NS7, NS6 adjusted to be more precise • Additional controls available for MIDI mapping on Rane Sixty Series Mixers ·· Rane Sixty-One: All controls ·· Rane Sixty-Two, Sixty-Four and Sixty-Eight: FX section (all layers), Mixer section [EQ's, faders] (all layers), Mic (all layers), All controls (secondary layers) Bug Fixes: • Memory Optimisation to increase the limit of files/crates allowed in Serato DJ • Recording Input for Rane devices not saved between sessions • Can’t use keyboard shortcuts to load to opposite deck when using Numark V7 • Serato DJ Waveforms & GUI can become laggy when CDJs are connected in HID mode • Noise Sensitivity threshold now defaults -48 instead of -24 for DVS devices • Serato Video auto cross fader doesn’t move far left or right when set to a fast speed • Crash during automated soak test • IN USE state on DVS mixers causes deck to be stuck in THRU for controllers after hotplugging • Waveform Overview is not updated when instant doubling with Serato Remote • Saved Video FX not backwards compatible with previous versions of Serato Video • Reverted jog wheel sensitivity increase for Reloop Terminal Mix 4 in Serato DJ 1.5 and above • 3 deck preference for Stack View mode is not remembered when switching between other views • CDJ HID mode display pitch percentage information is incorrect when using sync • Slip Mode not being displayed correctly on Vestax VCI-300 • PFL button changes loop mode on Numark NS6 • Novation TWITCH mic/aux on/off is always enabled on start up • Numark Mixdeck Quad hardware mixer controls are not read only in the setup screen • SP-6 Sample Player Master Volume level is not remembered between sessions • Active deck shortcut not in sync with active deck layer on the Pioneer DDJ-SZ • Stack view showing pitch -200% during reverse play • Clicking lock on saved loop slot de-activates currently active loop • Fix can’t reloop an active loop when deck is switched from ABS to REL • Video crashed shortly after clicking the Video button • Unable to control start/stop speed in Internal Mode with DVS devices • Serato DJ Crashes when loading specific .wav files • Resizing video output window to smallest size while video recording you will not be able to resize after • Serato DJ allows 2 x V7s to initiate with MASTER selected on both causing one deck to not function correctly • Pioneer CDJ-850 TIME button not working • Unable to longer load files from the files panel to the deck when using the DDJ-SZ browse knob • Numark Mixtrack Quad wheel colour toggle also changes active layer in Serato DJ • Novation TWITCH Drop Button both toggles for both decks • Serato DJ switches back to 2 Deck view mode when switching back to Stack View Mode • Scratching/Platter movement is reversed on Numark MixDeck Quad • Serato DJ may crash when browsing the history panel • Hang when syncing music with multiple downbeat markers • Black/white screen and unable to open Serato DJ on windows 8 machines when utf-8 characters are in the user account name • Track BPM drops to lower value after needle dropping • ADJUST/SLIP button on right deck of Novation TWITCH lighting not working correctly • Serato DJ does not restart correctly after installing Rane drivers from within the application on Mac Of course there will still be bugs, and new ones will appear too. But Serato DJ 1.7 aims to be quite the bug squisher. Here’s hoping that’s the case. To sign up for the beta, follow this link. But you’ll have to be a signed up member of the Serato forum to take part in the public beta. Source: djworx.com

QFNP very nice Mitch

In this video, Doug Woods demonstrates how to get started with Audiobus 2, a tool for routing audio between apps on iOS. He calls Audiobus, “the most essential app you will ever own, if you like to make music on your iPad or iPhone.” Audiobus 2 is avalible from the Apple Store for $6.49 Source: synthtopia.com

i feel like i have had this issue in the the past to be honest. &

This video, by Mark Harris, takes a look at integration of controllers with EigenD – a free and open source performance environment. Here’s what Harris has to say about it: "In this video, I reveal a new EigenD agent I have written that allows a much deeper integration of controllers into the EigenD world. This new agent converts midi into the much higher resolution and higher rate signals used by EigenD, it also supports 3 dimensions on every key press, strip controllers, breath and pedals. Finally, it supports midi voice per channel and 14 bit midi for higher resolution and more expressive control. (useful for newer controllers like Madrona Soundplane, Haken Continuum, Linnstrument and iPad apps) I demo a simple midi keyboard setup and move onto an unusual Leap Motion setup, then a iPad ThumbJam setup and finally Eigenharp Pico connecting via a second instance of EigenD on a different machine. (ThumbJam/Pico demo voice per channel)" EigenD is available for free download at the EigenLabs site. Source: synthtopia.com

welcome

very cool

If a millionaire pop-teen sensation has access to all the studio time they want and help from some of the best professional sound engineers they want. this will happen. And it will again and again and again etc. Just let it pass, make zero fuss and let it die. but.. Just playing the devils advocate, it would be funny to see what people would think of this track IF Bieber released this under a pseudonym....

With the launch of Rekordbox 3.0, Pioneer will not only further entrench their existing users, but also attract new users; perhaps even those who’ve only worked with software solutions in the past. Many DJs prefer the plug-and-play simplicity of the CDJ ecosystem containing no less than 4 models. For those looking to buy new decks or upgrade their existing kit this begs the question: Which CDJ is the right for you? Today we’re taking a look at the various options available to buyers. Do you really need the fancy features of a Nexus rig? Or will the budget models do the business for you? We’ll help you decide. Why no Denon/Numark/Reloop/etc? There’s no question, that in many parts of the world, the various models of Pioneer CDJs are very much the ‘standard’ when it comes to club and bar installations. If you are a working DJ, it is guaranteed that you will be presented with a pair to use at some point in your career. That’s not to say that other brands of player don’t have their fans, or indeed advantages. Denon’s spinning platter models are a completely different take on the idea of a media player, for example, and are much loved by many. It will be interesting to see what new directions Denon’s gear takes now their DJ division is owned by inMusic (home of Numark, Akai, and many others). For this thread we’re keeping it simple, and sticking to Pioneer. By no means are we suggesting that you should only look at Pioneer players, far from it, but if you are, this is the kind of information you need to know. The CDJ-350 – Cheap and cheerful? Despite its diminutive size, the CDJ-350 has much in common with its larger cousins. The layout feels familiar, with all the buttons in the traditional place. The jog wheels are nicely balanced, and although they don’t have any kind of position indicator, and perfectly competent for scratching. They’ll take data exported from your Rekordbox library onto a USB stick in much the same way as the rest of the range do. Obviously aimed at beginners, the 350 has a few functions which will aid newbies in getting their beats locked in time. The playback BPM is displayed to one decimal point, just like the top end players, which means you can set the tempo very precisely by eye, especially if using the +/-6% pitch range, which offers a resolution of 0.02%. It’s lacking any wide pitch range, like the +/-100% found on other models, but for day-to-day mixing the maximum 16% should do the trick. There’s a beatgrid display, using Rekordbox grid data, which lets you line up the downbeats of your mix nicely, and a tempo lock, which will playback each loaded track at a precise master BPM which you can set on the fly. So what’s missing? Well, that beatgrid display is in place of any kind of waveform. A DJ coming to the 350s from the software world might find that a little disconcerting. There’s no link – so you’ll need to use two USB sticks with the players, and there won’t be any kind of shared history, which is always a blessing during long sets. The big feature which is lacking is access to cue points. Pioneer updated the firmware of the 350 to enable the first cue point which has been set in Rekordbox to be loaded automatically, instead of the regular auto cue, but if that’s not the cue point you want, you’re out of luck. • A Pioneer CDJ-350 costs ~$300 each 2nd Hand. (The CDJ-350 has been discontinued so this is your 2nd hand ballpark figure)* CDJ-850 – Middle of the Road? The CDJ-850 is a definite upgrade (in most respects) from the 350. Featuring a ‘standard’ CDJ size jog wheel, the layout is largely identical to the flagship players. The screen, whilst not approaching the quality of the 2000/900 Nexus, has one extra line of text compared to the 350, and offers a basic, but functional, waveform display. One step back from the 350 is the BPM display, with no decimal points. Some purists might think that a good thing, but it is a little jarring, as every other current player in the range has a single decimal place. Overall, the 850 has much more to offer the DJ who plays in a more ‘vinyl’ style. As well as the bigger platter, with position indicator, you get adjustable start/stop time (on one knob) too, allowing for gradual wind-downs. Cueing, is, in many ways, the killer upgrade from the 350. There are no hot cues, but multiple cuepoints and saved loops can be recalled from the player, one at a time. That’s one way to get quantised loops going on the 850; by saving them in the software, then loading them from USB. They aren’t quite as tight as on the 2000/900, but the in and out points should remain in pretty much the right place. Otherwise, the unit features no quantising whatsoever, which makes the onboard autoloop section on the top right rather hit and miss. At this level, you’re still missing the link function, and the display just doesn’t compare to the more expensive models, but as you can score a pair of 850s for not much more than a single 2000 Nexus, they do sit in a fairly sweet spot in the range. • A Pioneer CDJ-850 costs about ~$900 each* CDJ-900 Nexus – The 1K Killer? The original CDJ-900 was a step up from the 850 in many ways, but ultimately pretty similar in terms of overall feel. The 900 Nexus is a different proposition altogether. Like its forebear, it’s the cheapest model to feature the link feature, meaning you can chain up to four mixed & matched units (plus 2 laptops, and a DJM-900 Nexus mixer) together, and have them all share music, and beatgrid information. That’s a big deal, but the most noticeable improvement over the 850 is the simply gorgeous high-resolution screen. Offering both an overview waveform, for the entire track, and a larger zoomable waveform display, it will feel much more comfortable for users of Dj software, who are used to having detailed displays of this type for their music. The BPM display to one decimal point makes a return, after being missing from the 850 and the original 900, and Pioneer’s sync feature makes an appearance, for better or worse. For the record, it works very well, as long as your grids are set correctly in Rekordbox, and integrates seamlessly with the on-deck quantizing on the 900 Nexus. Looping is pretty intuitive, with both manual and auto looping covered. It’s not quite as accessible as on the 2000 Nexus but plenty usable. In many respects the 900 Nexus is more about ‘trick mixing’ than the other models – the beat divide buttons and slip mode allow for some pretty interesting creative effects. • A Pioneer CDJ-900 Nexus costs about ~$1000 each* CDJ-2000 Nexus – The Big Dawg With the 900 Nexus being such an impressive player, many could look at the extra money a pair of CDJ-2000 Nexus demands as being a waste of money. In some respects, they might be right – truly, the improvements are kind of subtle, but for some DJs, they will be all-important. Hot cues is the largest omission from the 900 Nexus, and they’re present on the 2000 Nexus. They’re much improved over the original 2000, too, as now you can set a preference in Rekordbox to load them automatically for each track. On the original, they were ‘there’, but you had to recall them to each button individually, which was a bit of a faff. You can also assign loops to the hot cue buttons too, which opens up some great creative possibilities. All of the large CDJs have a level of tension on the jog wheel which doesn’t feel wildly dissimilar, but on the 2000 Nexus you do have the ability to tweak that to your own liking. Likewise, for vinyl-style DJs, the separate dials for adjusting start and stop times are a nice touch. The first is the SD card slot. It can be a little disconcerting to see a larger USB drive, like a Sandisk Cruzer Extreme, sticking out of the top of a CDJ – what happens if a requester leans across it? So having your media safely tucked away in the player is reassuring. It also means that even with only two players, you can have four sources (2 USB, 2 SD) connected at once, allowing you to carry more music without dealing with an external hard drive. The last is the touch strip – whilst Needle Search is rarely essential, it means you can enter loop mode and simply touch your desired auto loop length, and it also makes for much faster track searching. Touching one letter after another is a lot faster than ‘dialling in’ each letter as you have to with the other models. • A Pioneer CDJ-20000 Nexus costs about ~$2000 each* Notes on HID For this thread we’ve looked primarily at using the CDJs with Rekordbox analysed files via USB or SD cards. Obviously all the models still work fine with CDs, too, although the majority of the features you’re paying for go unused. If all you want to do is play CDs, then frankly, a cheap pair of used CDJ-1000s will do the job just fine. Many of them out there have had a hard life, but they do tend to last, as evidenced by the numbers still found in DJ booths today. If you still want to use your existing DJ software with CDJs, without needing timecode CDs, then you’ll need to pay careful attention to how compatible your software is with each model. Mixvibes and VirtualDJ will play nicely with the whole range, as will Serato DJ, which includes compatibility with the 900 Nexus in the latest version. Native Instruments have dragged their heels somewhat though, with the 2000 Nexus the only current player natively supported in Traktor. The 350 and 850 only feature ‘regular’ rather than ‘advanced’ HID, but in practice that really only means a lack of waveform display sent to the players from the software. You can use any of the range to control pretty much anything via midi, instead of HID, but we wouldn’t recommend it. To be completely honest, if your sole intention is to use HID mode to control your software, then buying any of the CDJs is a rather large investment for what is, basically, a pair of big midi controllers, and you might want to think seriously about whether it’s worth it. It works well (Carl Cox uses four 2000 Nexus players linked to Traktor at all his gigs now), but it’s a huge, and probably unnecessary outlay for most DJs. Wrap Up The current CDJ range features some wonderful kit, although none of the models are ‘perfect’, for sure. The 2000 Nexus comes close, but with 2 of them running the price of a decent used car, they really ought to. If you can live without hot cues, then the 900 Nexus is a fine investment, offering an experience very close to the 2000 Nexus with a pretty substantial cost saving. The 350s will make for a good starter setup, offering enough functions to get anyone mixing on a basic level, and allowing beginners to join the Rekordbox ecosystem at a (relatively) bargain price. Of the current range, the one that sticks out most in 2014 is the CDJ-850. The lack of quantizing for loops, and the basic screen, make it feel like a big step down from the 900 Nexus, even if you can live without the link feature. * prices estimated from Ebay.com.au on the 25/07/2014 Source: djtechtools.com / scottie / Ebay.com.au

At 2014 Summer NAMM Show Australian pro-audio manufacturer RØDE Microphones has introduced the iXY with Lightning connector microphone for iPhone 5, 5s and 5c. The new mic is designed to allow high-quality recording at sample rates up to 24-bit/96kHz. The iXY with Lightning connector features a matched pair of ½ inch condenser capsules arranged in a stacked X-Y configuration, with on-board high-fidelity analogue to digital conversion. According to RØDE, this ensures accurate, immersive and true to life stereo recordings. Here’s a video intro to the iXY with Lightning: Interchangeable rubber mounting clamps are supplied to suit both iPhone 5/5s and 5c, which also provide shock mounting and help to minimize vibration transferring to the microphone capsules. A foam windshield for outdoor recording and protective storage pouch are also included. The RØDEGrip mount is optionally available for mounting the iXY and iPhone on a camera or microphone stand, and a “deadcat” windshield for high wind conditions will be available shortly. Finally, RØDE’s field recording app for iOS devices, RØDE Rec also recently received an update to increase compatibility and stability on the iOS 7 platform. RØDE Rec and RØDE Rec LE are available now in the App store for iPhone and iPad. The RØDE iXY with Lightning is shipping now, priced at ~$200. Source: synthtopia.com

At the 2014 Summer NAMM Show PreSonus has announced that it is now shipping Notion 5, a major upgrade to its music notation software. Notion 5 includes a new video window, new effects from PreSonus Studio One, an enhanced chord library, a custom rules editor, and many notation and publishing improvements. Here’s the official intro video: This is the first update since Notion joined PreSonus. The user interface has been redesigned to more closely resemble Studio One and other PreSonus software, and Notion 5 comes with PreSonus’ Native Effects Limiter, Compressor, and Pro EQ plug-ins. The new version also adds a variety of enhancements for film, TV, and video composers, including a video window with a new timecode view. It can import a variety of video formats. Notion 4 offered rules templates for orchestral VST libraries so you could load up an instrument and write dynamics, effects, and instrumental techniques into the score without using the VST interface or programming keyswitches. Notion 5 adds the ability to create custom rules for any VST library without editing XML files by selecting from drop-down menus. Notation improvements make Notion even faster and easier to use, including an enharmonic spelling tool, cross-staff notation, layout and printing improvements, and new shortcut sets. You also get an enhanced chord library with more library chords, user-created chords, and recent-chord recall. Version 5 also adds Mac Retina display support and Windows 8 touchscreen optimization. Other Key Features: • Notion works well with other studio technologies (including full ReWire support); • Playback with sounds from world-class artists and studios, including the London Symphony Orchestra; • Notion is the only notation software that can output 32 audio pairs to a mixing console or in a ReWire session; and • Notion is the only notation editor that supports Mac, Windows, and iPad and the only one that can run 64-bit on both Mac and Windows. Notion 5 is available in English (US and UK), French, German, Japanese, and Spanish (Latin American) at an expected MAP/street price of $149. Academic pricing is available. See the Presonus site for more info. Source: synthtopia.com

At the 2014 Summer NAMM Show DJ gear-maker Stanton is showing its SCS.4DJ USB Mixstation with a new version (5.0) of the rig’s operating software. Stanton’s SCS.4DJ USB Mixstation is the first fully-integrated solution to offer a broad range of functionality and performance in a DJ rig, removing the need of a laptop. SCS.4DJ’s new software (available as a free download from the Stanton website) features include: • Enhanced analysis • Time-rift mode • New effects • FLAC support. A host of additional improvements include increased library size, which can now support up to 50,000 tracks loaded via an attached USB drive, and improved response times for large collections when navigating, browsing, searching and sorting. Version 5.0 users will also experience an enhanced browser window layout showing current song selection and the total size of the collection. Version 5.0 also offers updated analyzing code for more accurate beat grids and BPM values. New synchronization options include Continuous Sync, Pitch and Beat Position while an improved looping performance provides tighter and longer synchronization. Additional effects include High-Pass Filter, Low-Pass Filter, Band-Pass Filter, Phaser and Tape Delay. The now-included Time Rift Mode is a creative option that allows SCS.4DJ users to enter a mode where they can scratch, seek, use hot cues, loop and then resume playing in SYNC with another deck and never miss a beat. With the new Manual Loop In and Out button functionality, users can store loops with the tracks, which can then be recalled on reload. At Summer NAMM, Stanton will also be showcasing its DJC.4 Virtual Digital Workstation, a DJ controller audio interface with an enhanced four-deck version of Virtual DJ LE. Source: synthtopia.com

At this year’s Summer NAMM Show, Zivix is showing the Jamstik – a wireless portable digital guitar controller. The Jamstik uses light to scan your fingers as you play with real strings on real frets. Highlights of the Jamstick include: • No Tuning • Wireless Connectivity • Low Latency • Pick Velocity • String Bending • Full MIDI Support The Jamstik is priced at $299.99. See the Zivix site for details. Source: synthtopia.com / soundonsound.com

littleBits New cloudBit Lets You Connect Your Modular Synth To The Internet littleBits Electronics has introduced a new module, the cloudBit, that will let you connect your modular synth to the Internet and more. The cloudBit, according to the company, will help democratize the ‘Internet of Things’ (IoT) – the idea that ‘smart devices’ will be able to communicate and interact with the Internet. The cloudBit – part of the company’s littleBits modular electronics system – lets you turn any object into an Internet-connected device. littleBits already makes an open source library of electronic modules that snap together with magnets. Existing modules include things like motors, buzzers, buttons, light sensors, switches and LEDs. Last year, they added modules that expanded the platform into audio with the Korg littleBits Synth Kit. Here’s a demo of the cloudBit in action: The cloudBit can engage in three types of interactions: • Bits to Web (SMS doorbell) • Web to Bits (controlling something remotely, as in their automatic fish-feeder example in the video) • Bits to Bits (like the cloud-controlled camera) These interactions could be applied to musical purposes, also. For example, in the area of sonification, creating geographically distributed musical installations, Internet-based synth control or even creating new types of audience interaction. littleBits has also partnered with IFTTT.com (short for “if this, then that”) to integrate littleBits inventions with existing web services like Instagram (check out the whimsical Insta-ego-head tutorial), Facebook, Twitter, Google Drive, etc. Pricing and Availability: The littleBits cloudBit is available today for $59. A “Cloud Starter Bundle” consisting of six electronic modules, two “accessories” to connect to the Internet, and tutorials, is available for $99. Both via the littleBits website. Source: synthtopia.com

Steinberg has announced that its installers are not currently compatible with Mac OS X Yosemite, but that they have a workaround in place. The details: "If you are planning to update to Yosemite or to take part in the Yosemite beta-testing program, please be aware that our software products as are cannot be installed on this operating system. Current Steinberg software installed before updating to OS X Yosemite is not affected. The solution we offer is a small software tool currently available as downloadable pre-release version from our website which will enable a seamless installation of our existing software range on the OS X Yosemite operating system." Check the Steinberg site for their latest information on compatibility. Source: synthtopia.com

just grabbed i off itunes. $9.99 is a steal for this

that is #large congrats =D>

to me, that looks fucking beautiful. maybe minus the iron and cleaning product

i will be picking up a copy for sure

nice one bud

im glad this helped you scottie. feel free to hit up the 'thunbs up' button

another top quality track from Slop Rock