Cupe

There are some that run off little bits cables Note that image isn't the exact type your after, just makes things easier with the extra bit of cable coming off imo

Now click them out of clear intent.

Hey man welcome Ask as much as you like and everyone will help where they can

This guy knows. ps. ads are customised based on your browsing history. Moved to Singapore for a reason eh matey

You can still support us by not using Ad Blocker and clicking the google ads (top right or bottom of the forum). Every click = fuck all income but it eventually adds up. And every little bit helps. Honestly, without the support of you guys, I couldn't afford to run this place on my own (which means ADJF would not exist). =D>

I hope that's not the exact response with the typo's and missing punctuation.

If you're like me, maybe you found yourself feeling a bit dismissive about the launch of a new Trigger Finger. Although the original was hugely successful, you may be forgiven for thinking it's had its day in the age of Maschine and next-generation MPCs. Spoiler alert: it turns out my preconceptions about the Trigger Finger Pro were way off the mark. In one way, the Trigger Finger Pro stays true to its predecessor: it's designed to be a fully programmable MIDI controller that can be used with just about any virtual instrument, DAW or hardware synth. It features 16 pads, four faders and some knobs. The similarities pretty much end there. The Pro is larger, better made, lights up like a Christmas tree, and integrates with its own plug-in host and sound sources. These last make it a true hybrid instrument as well as a controller. But the secret weapon that makes the Trigger Finger Pro a player is its built-in hardware step sequencer. This provides up to 64 lanes by 64 steps, programmed from a row of 16 buttons along the bottom of the unit. You can also record patterns into the step sequencer live from the pads. First Impressions Physically, the Trigger Finger Pro has more in common with modern beat controllers like Maschine or Push than its smaller predecessor, being about 1cm larger than the standard-issue Maschine model. It's slim and flat, rather than the now-standard wedge shape, instead having a metal bar attached to lift it at the back into a comfortable playing position. This bar can be removed (with the hex tool included, Ikea-style) or attached to the front if you prefer, and allows you to hook the unit onto laptop stands or other kit. M-Audio Trigger Finger ProThe obligatory 4x4 pads are made of solid rubber and light up internally in a variety of colours. I found them just as nice to play as the Maschine or MPC pads. Dynamic sensitivity is not bad (especially if you switch the velocity curve to Linear) and the pressure-sensitive aftertouch is really smooth: great for synths or for adding dynamic variation when using the Roll button (better known as Note Repeat on other devices). Other buttons on the surface are of the hard-plastic clicky type of which I'm not a big fan, but which are also seen on competing devices. The control section sports four rows of buttons, faders and rotary encoders, similar to the original. I'm sceptical about faders on MIDI controllers unless they are motorised or touch strips; I'd much rather have another four encoders, as eight is a standard for many plug-ins and Ableton Live rack devices, and encoders offer glitch-free pick-up of existing values. Overall, the build quality is solid, and the Pro feels in a different class of product to the original Trigger Finger. Perhaps there has been some cross-pollination from Akai since M-Audio joined the InMusic group? Source: soundonsound.com

I think you posted in the wrong 'I just bought' thread. This is the DJ related stuff one

Reposted on: ADJF Facebook / ADJF Twitter / ADJF Soundcloud

Fuck it Wrex the cunts m8

Probably using old rules that haven't updated with technology

Getting and will do

Good to seeeeee. Reposted everywhere I can repost

Yes mate you're excused.

15 new Solid Steel mixes now up. Today 20+ FACT MAG and FABRICLIVE mixes going up! Still no-one tuned

Too many DJs and Producers are selling themselves short on the daily. When you go on a massive soundcloud hunt and download a bunch of new shit for your upcoming mix, are you more likely to use this: Artist - Track Name.mp3 or this: recorded-14-10-1.mp3 Likewise, if you're going to index and listen to mixes in the future (or tell a mate about an awesome one you heard) are you more likely to tell them about this: DJ Name - Title of Mix.mp3 or this: mix02.mp3 The issue is clearly evident: You can't talk about shit if you have no idea who the fuck made it. Why screw yourself over from the ongoing promotion of your work by giving no-one any clue as to who produced the audio? How do I stop being retarded? Name your files properly. Create ID3v1 and ID3v2 and correctly format them (there's even spaces to link to your online profiles) Use cover images (Self Promotion #1 - The Importance of Cover Images) It's not even hard.

I'm still sticking with soundcloud, mainly because I've paid and haven't had anything taken down yet (except an original once, which was promptly returned after dispute).

If you want to do voiceovers in your own mix it's up to you

Added a whole shit ton of new mixes from the Ninja Tune 'Solid Steel' series, plus a bunch of Bonobo and other different genres and styles (less unce unce unce)

This hit 10,000+ plays on day #4 \:D/

faurk. squishy

fuck it looks like what my dream apartment would be lucky kunt

What the fuck, that's where you live? That place looks fucking MEAN